New Books Network

• Nathan Perl-Rosenthal, "The Age of Revolutions: And the Generations Who Made It" (Basic Books, 2024)

  A panoramic new history of the revolutionary decades between 1760 and 1825, from North America and Europe to Haiti and Spanish America, showing how progress and reaction went hand in hand. The revolutions that raged across Europe and the Americas over seven decades, from 1760 to 1825, created the modern world. Revolutionaries shattered empires, toppled social hierarchies, and birthed a world of republics. But old injustices lingered on and the powerful engines of revolutionary change created new and insidious forms of inequality. In The Age of Revolutions (Basic Books, 2024), historian Nathan Perl-Rosenthal offers the first narrative history of this entire era. Through a kaleidoscope of lives both familiar and unknown-from John Adams, Toussaint Louverture, and Napoleon to an ambitious French naturalist and a seditious Peruvian nun-he retells the revolutionary epic as a generational story. The first revolutionary generation, fired by radical ideas, struggled to slip the hierarchical bonds of the old order. Their failures moulded a second generation, more adept at mass organizing but with an illiberal tint. The sweeping political transformations they accomplished after 1800 engrained forms of inequality and racial hierarchy in modern politics that remain with us today. A breath taking history spanning three continents, The Age of Revolutions uncovers how the period's grand political transformations emerged across oceans and, slowly and unevenly, over generations. Nathan Perl-Rosenthal is a professor of history at the University of Southern California. His writing has appeared in the Wall Street Journal, the Atlantic, the Nation, and the Los Angeles Times. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

  --------  

  1:02:13
• In Covid’s Wake: How our Politics Failed Us--A Conversation with Stephen Macedo (Part 2)

  This week on Madison’s Notes, we continue our discussion with Stephen Macedo, co-author of In COVID’s Wake: How Our Politics Failed Us (Princeton UP, 2025). The book examines the institutional failures during the pandemic, including the politicization of science, inconsistent messaging, and the disproportionate impacts of policies. We cover key questions: What did “following the science” mean before COVID-19? Macedo explains that science is inherently uncertain, but this nuance was often lost during the pandemic, leading to unrealistic expectations. He also highlights how poor communication about scientific uncertainty eroded public trust. The conversation addresses contradictory messaging about the origins of COVID-19, with public statements often differing from internal expert discussions. Macedo notes how this disconnect fueled skepticism. He also raises concerns about potential conflicts of interest among health officials and the dangers of concentrating decision-making power in a few unchecked individuals. Macedo discusses the politicization of masking, which overshadowed scientific evidence and deepened divisions. He advises individuals to seek reputable sources, embrace uncertainty, and remain critical of simplistic narratives. Finally, he stresses the importance of accountability, open debate, and a commitment to democratic values like tolerance and truth as essential for navigating future crises. This episode offers a concise yet powerful reflection on the lessons of the pandemic and the need for stronger, more transparent governance. Tune in for the full conversation. Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions. Contributions to and/or sponsorship of any speaker does not constitute departmental or institutional endorsement of the specific program, speakers or views presented. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

  --------  

  52:57
• Jason Schupbach and Rana Amirtahmasebi, "The Routledge Handbook of Urban Cultural Planning" (Routledge, 2024)

  The Routledge Handbook of Urban Cultural Planning (Routledge, 2024) provides a manual for planning for arts and culture in cities, featuring chapters and case studies from Africa, the Americas, Australasia, the Middle East, South and East Asia, and more. The handbook is organized around seven themes: arts and planning for equity and social development; incorporating culture in urban planning; the intersection of creative and cultural industries and tourism planning; financing; public buildings, public space and public art; cultural heritage planning; and culture and the climate crisis. Urban planners are often tasked with preserving and attracting new art and culture to a city, but there are no common rules on how practitioners accomplish this work. This handbook will be an invaluable resource for city planners and designers, cultural workers, elected officials, artists, and social justice workers and advocates seeking to integrate creativity and culture into urban planning. Rana Amirtahmasebi is an economic development and cultural planning strategist and researcher. She is the founder of Eparque Urban Strategies in New York and previously worked at the World Bank, Aga Khan Programme on Islamic Architecture at MIT and several other entities. Jason Schupbach is the dean of the Westphal College of Media Arts & Design at Drexel University. He is a nationally recognized expert on support systems for creatives and the nexus of creativity and equitable community development. This interview was conducted by Timi Koyejo, a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

  --------  

  1:17:52
• Radha Kapuria and Vebhuti Duggal, "Punjab Sounds: In and Beyond the Region" (Routledge, 2024)

  Punjab Sounds (Routledge, 2024) nuances our understanding of the region's imbrications with sound. It argues that rather than being territorially bounded, the region only emerges in 'regioning', i.e., in words, gestures, objects, and techniques that do the region. Regioning sound reveals the relationship between sound and the region in three interlinked ways: in doing, knowing, and feeling the region through sound. The volume covers several musical genres of the Punjab region, including within its geographical remit the Punjabi diaspora and east and west Punjab. It also provides new understandings of the role that ephemeral cultural expressions, especially music and sound, play in the formulation of Punjabi identity. Featuring contributions from scholars across North America, South Asia, Europe, and the UK, it brings together diverse perspectives. The chapters use a range of different methods, ranging from computational analysis and ethnography to close textual analysis, demonstrating some of the ways in which research on music and sound can be carried out. The chapters will be relevant for anyone working on Punjab's music, including the Punjabi diaspora, music, and sound in the Global South. Moreover, it will be useful for undergraduate and postgraduate students in the following areas: ethnomusicology, cultural studies, film studies, music studies, South Asian studies, Punjab studies, history, and sound studies, among others. Radha Kapuria is Assistant Professor of South Asian History at Durham University, UK, and the author of Music in Colonial Punjab: Courtesans, Bards, and Connoisseurs, 1800–1947. Vebhuti Duggal is Assistant Professor in Film Studies at the School of Culture and Creative Expressions, Ambedkar University Delhi, and Associate Editor of the journal BioScope: South Asian Screen Studies. Khadeeja Amenda is PhD candidate in the Cultural Studies in Asia programme at the Department of Communication and New Media, National University of Singapore, Singapore. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

  --------  

  1:09:44
• Holly Grout, "Playing Cleopatra: Inventing the Female Celebrity in Third Republic France" (LSU Press, 2024)

  Questions about the meaning of womanhood and femininity loomed large in late nineteenth- and early twentieth-century French culture. In Playing Cleopatra: Inventing the Female Celebrity in Third Republic France (LSU Press, 2024), Dr. Holly Grout uses the theater—specifically, Parisian stage performances of the Egyptian queen Cleopatra by Sarah Bernhardt, Colette, and Josephine Baker—to explore these cultural and political debates. How and why did portrayals of Cleopatra influence French attitudes regarding race, sexuality, and gender? To what extent did Bernhardt, Colette, and Baker manipulate the image of Cleopatra to challenge social norms and to generate new models of womanhood? Why was Cleopatra—an ancient, mythologized queen—the chosen vehicle for these spectacular expressions of modern womanhood? In the context of late nineteenth-century Egyptomania, Cleopatra’s eroticized image—as well as her controversial legacy of female empowerment—resonated in new ways with a French public engaged in reassessing feminine sexuality, racialized beauty, and national identity. By playing Cleopatra, Bernhardt, Colette, and Baker did more than personify a character; they embodied the myriad ways in which celebrity was racialized, gendered, and commoditized, and they generated a model of female stardom that set the stage for twentieth-century celebrity long before the Hollywood machine’s mass manufacture of “stars.” At the same time, these women engaged with broader debates regarding the meaning of womanhood, celebrity, and Frenchness in the tumultuous decades before World War II. Drawing on plays, periodicals, autobiographies, personal letters, memoirs, novels, works of art, and legislation, Playing Cleopatra contributes to a growing body of literature that examines how individuals subverted the prevailing gender norms that governed relations between the sexes in liberal democratic regimes. By offering employment, visibility, and notoriety, the theater provided an especially empowering world for women, in which the roles they played both reflected and challenged contemporary cultural currents. Through the various iterations in which Bernhardt, Colette, and Baker played Cleopatra, they not only resurrected an ancient queen but also appropriated her mystique to construct new narratives of womanhood. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

  --------  

  48:59

More News podcasts

Trending News podcasts

About New Books Network

New Books Network: Podcasts in Family