New Books Network

The novel Wickhills follows Ferec, an experienced secret agent with an encyclopedic knowledge of his home city, the titular Wickhills. His job is a dangerous one, but one he’s good at and well suited to. But when his handler involves Ferec in a clandestine smuggling case, things begin to unravel quickly. Ferec has always prided himself on his observation and independence, his skills as a field agent, but as his latest case progresses it becomes clear that all his training, connections, and suspicions may not be enough.
In this interview Mohamed describes her growing interest in spy fiction and its influence on the novel. We discuss the history of cities, which sources are and aren’t remembered, and creative novel structures. We also chat about the use of different fantasy creatures in the novel, the differences between different spy networks, and the fine line between technology and magic in fantasy.
Wickhills is a rich, layered novel full of wonder and violence. It is a thoughtful meditation on the nature of espionage and an interesting examination of a weird and magical city. It was so much fun getting to discuss it with the author.

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Today I’m speaking with Garrison Lovely, technology journalist and author of the new book, Obsolete: The AI Industry's Trillion Dollar Race to Replace Us — and How to Stop It (OR Books, 2026). Artificial intelligence is perhaps the most discussed and most misunderstood topic today. Even to the experts and captains of industry, the frontier large language models are essentially black boxes. AI poses many reasons to be both skeptical and optimistic, yet it also poses a fundamental threat to our current economic order and social contract. If AI succeeds, what will it mean for workers, consumers, and the huddled masses who do not own the multi-trillion dollar companies directing the global economy? Garrison Lovely has coined the term, Obsoleting Project to describe the goal of AI companies to build machines that outperform humans on nearly every task. It reimagines technology, not as a tool of efficiency, but rather as a tool that replaces labor full-stop. What happens to our society if they succeed? Garrison’s Obsolete is a fantastic round-up of the most important social and economic challenges posed by AI. I’m thrilled today to have Garrison on The Truth About Bullshit to understand a bit more about the Obsoleting Project.
Caleb Zakarin is CEO and Publisher of the New Books Network.

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Taylor D. Lott's The Stitches Between Us (Hawes & Jenkins, 2025) tells the story of Theo, a quiet, imaginative boy growing up in a home where sensitivity is punished and creativity is met with cruelty. He learns early to retreat inward, expressing what he cannot say through fabric, sketches, and observation. In a world that leaves little room for softness, Theo finds refuge in Danielle-unguarded, curious, and gently defiant. She recognizes his talent without trying to reshape him, and their connection becomes a fragile lifeline. Something fractures that lifeline. What once grounded Theo is slipping away, leaving him unmoored and overwhelmed. As the pressure inside his home mounts and the one place he felt seen becomes unreachable, Theo is pushed toward a breaking point. A final confrontation with his father sends him fleeing into the night, abandoning his family without explanation. Years later, Theo's older brother Noah built a successful career as a respected journalist, known for reporting on war zones, global crises, and international diplomacy. When he is assigned to cover a high-profile fashion show in Paris, he enters a world he doesn't understand-and one that feels disturbingly familiar. Recognition comes quietly. There is no announcement. No reunion. Only an unspoken awareness beneath the bright lights of Paris and the shadows of the past. As Noah navigates the spectacle surrounding the show, he must decide what kind of witness he wants to be: whether to turn private survival into public spectacle, or to protect a truth someone fought desperately to keep buried.

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Although Spain was never a formal ally of the United States during the American Revolution, its entry into the war definitively tipped the balance against Britain. Led by Bernardo de Gálvez, supreme commander of the Spanish forces in North America, their military campaigns against British settlements on the Mississippi River—and later against Mobile and Pensacola—were crucial in preventing Britain from concentrating all its North American military and naval forces on the fight against George Washington’s Continental army. In this first comprehensive biography of Gálvez (1746–86) Bernardo de Gálvez: Spanish Hero of the American Revolution (UNC Press, 2026), Gonzalo M. Quintero Saravia assesses the commander’s considerable historical impact and expands our understanding of Spain’s contribution to the war.

A man of both empire and the Enlightenment, as viceroy of New Spain (1785–86), Gálvez was also pivotal in the design and implementation of Spanish colonial reforms, which included the reorganization of Spain’s Northern Frontier that brought peace to the region for the duration of the Spanish presence in North America. Extensively researched through Spanish, Mexican, and US archives, Quintero Saravia’s portrait of Gálvez reveals him as central to the histories of the Revolution and late eighteenth-century America and offers a reinterpretation of the international factors involved in the American War for Independence.

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Through a postcolonial lens, Ecotexts in the Postcolonial Francosphere (Liverpool, 2025) explores the various ways in which francophone writers, visual artists and activists are responding to the global climate and environmental crises threatening the Earth today.The volume covers most of the francosphere: Africa, the Caribbean, the Indian Ocean, South America and Polynesia. As well as discussing a range of environmental issues, from soil erosion to nuclear testing, it also considers ways in which francophone writers have become ecological activists. The ecotexts discussed include graphic novels, visual narratives, and zines alongside more conventional literary texts such as novels, short stories and poetry. The book seeks to decentre Belgium and France in francophone ecocritical scholarship while engaging in current debates in the field of ecocriticism, including the afterlives of Belgian and French colonialism and neo-colonialism in relation to climate change and environmental degradation, Blue Humanities, waste and toxicity studies, critical animal and plant studies, Indigenous peoples and their cultures and knowledges, climate-environmental (in)justice, and writerly/textual activism for climate and environment. It aims to widen the geographical scope of francophone ecocriticism by discussing a wide range of eco-themes that go beyond the segmentation and compartmentalisation found in other books in the field.
Guest Nsah Mala is a poet, writer, children’s author, consultant, editor and translator, journalist-communicator, futurist and foresight practitioner, and interdisciplinary scholar working in English, French and Mbesa. Nsah currently works for the University of Cologne, Germany, as a Postdoctoral Researcher and Hub Coordinator of the UNESCO-MOST BRIDGES Coalition.His research interests include comparative literature, anglophone and francophone African literatures, public and environmental humanities, literary activism/artivism, creative writing and foresight and futures thinking. He has published widely in these areas in peer-reviewed volumes and journals, including Ecozon@, Orbis Litterarum, Electronic Green Journal, Humanities, Peripeti and ASAP/J. His ongoing projects on ‘Wetland Time’ and ‘Congo Basin Futures’ are funded by the British Academy and the Next Generation Foresight Practitioner Fellowship, respectively. Among many distinctions, he has judged the Commonwealth Short Story Prize and won the Dubai Foresight Award in the Foresight for the Planet category.
Guest Richard Watts is Associate Professor of French in the Department of French and Italian Studies, co-creator of the Environments, Cultures and Values minor, and founding director of the Translation Studies Hub at the University of Washington, Seattle. He is the author of Packaging Post/Coloniality: The Manufacture of Literary Identity in the Francophone World (Lexington Books, 2005) as well as a series of articles on the intersections of francophone postcolonial studies and the environmental humanities. He is currently completing a book project titled Reclaimed Waters that considers how the pollution, privatization and manufactured scarcity of water are rapidly altering its ostensibly stable symbolic value in literature, cinema and other forms of cultural production in the Francosphere.
Guest Giulia Champion is a Lecturer in Critical Ocean Studies at the University of Southampton. Her main research project is being developed in a monograph entitled The Political Construction of the Seabed: A Political Ethnography of the International Seabed Authority. This project explores the diplomatic processes of the United Nations body of the International Seabed Authority (ISA) and the creation of a regulatory framework it is negotiating about deep-sea mining. The work explores this through a decolonial studies lens given the ISA’s location in Jamaica and its development of regulations about a new extractive frontier on the international seabed. Her work sits across the humanities and social sciences and uses arts-based methods for participatory public and policy engagement. She also collaborates on several projects including one on decarbonisation and electrical grids in Shetland, Orkney UK and Newfoundland, Canada; on Lithium extraction in Chile, and on safe swimming and access to green and blue spaces on the Isle of Wight, UK. She is an Associated Editor for the journal Environmental Humanities. She is the co-founder of the Deep Currents Collective, a group of activists and academics which holds a United Nation observer status at the International Seabed Authority. Her work has been published in (co-)authored articles in Bulletin of Latin American Research, The Journal of Energy History, Ocean and Society, Applied Energy, The Conversation, People and Nature and Comparative Law Journal of The Pacific.
Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.

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