New Books Network

In the summer of 2014, three long estranged Iraqi-British sisters are pulled back into each other’s orbit by the rediscovery of their late father’s long-lost paintings. Beautiful, elusive Zainab; embittered, practical Mediha; and headstrong, queer Ishtar each lay claim to their father’s legacy—an artistic and personal inheritance entwined with betrayal, exile, and a homeland they no longer recognize.

As the sisters fight to preserve, erase, or repurpose the past, Zainab’s estranged son Nizar, a war correspondent haunted by trauma and heartbreak, returns to the family fold. With the reemergence of buried memories comes a reckoning, and the family is forced to confront the personal and political betrayals that tore them apart.

Spanning continents and decades—from 1950s Baghdad to contemporary London, from the Tigris River to Yemeni refugee camps—Floodlines (Europa, 2026) is at once an intimate family drama and, in its scope, a modern epic. It is a rare novel that bridges the historic and the immediate and a heartfelt meditation on what it means to belong, to create, to endure.

Saleem Haddad was born in Kuwait City to a Palestinian-Lebanese father and an Iraqi-German mother, and educated in Jordan, Canada, and the United Kingdom. He has worked as an aid worker with Doctors Without Borders in Yemen, Syria, and Iraq, and has advised on humanitarian and peacebuilding issues throughout West Asia and North Africa. He is the author of the acclaimed debut Guapa, a 2017 Stonewall Honor Book and the winner of the 2017 Polari Prize. His 2019 directorial debut, Marco, was nominated for the 2019 Iris Prize for “Best British Short Film” and is available to watch on YouTube. He is currently based in Lisbon.
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During the American Civil War, clothing became central to the ways people waged war and experienced its cost. Through the clothes they made, wore, mended, lost, and stole, Americans expressed their allegiances, showed their love, confronted their social and economic challenges, subverted expectations, and, ultimately, preserved their history. As the collections they left behind make clear, Civil War Americans believed clothing was not merely a reflection of one’s class, gender, race, military rank, political ideology, or taste. Instead, Northerners and Southerners alike understood that clothing—from the weave of a fabric to the style and make of a coat—had the power to affect people’s way of living through the war’s tumult.In A Nation Unraveled: Clothing, Culture, and Violence in the American Civil War Era (UNC Press, 2026), Dr. Sarah Jones Weicksel reveals the meanings clothing had for Civil War Americans. Contributing to the growing body of scholarship on the material culture of the Civil War, Dr. Weicksel invites readers to understand how the war penetrated daily life by focusing on the intimate, visceral, material experiences that shaped how people moved through the world.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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In this NBN episode, host Hollay Ghadery speaks with acclaimed Calgary, Alberta poet David Martin about is new collection, nightstead (Palimpsest Press, 2026). 

In his most personal collection to date, award-winning poet David Martin elegizes his younger brother who died by suicide at the age of twenty-three. With a mixture of childhood recollections and anguished moments nightstead produces a complex memorial while pushing against the utmost limits of memory's power. Dislocating experiments juxtapose with searingly direct verse to make this book a haunting poetic memoir that will remain with readers long after they put it down.

David Martin has published three previous collections of poetry: Tar Swan (NeWest Press, 2018), Kink Bands (NeWest Press, 2023), and Limited Verse (University of Calgary Press, 2024). He lives in Calgary.
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Le Corbusier on Camera: The Unknown Films of Ernest Weissmann (Birkhaüser, 2024) is based on amateur films, shot by the architect Ernest Weissmann (1903-1985) with a Pathé Motocamera in the years 1929-1933 at, among other places, the Atelier Le Corbusier and Pierre Jeanneret. These films capture moments from Le Corbusier's life that have never been seen before. It also documents his friendships with Pierre Jeanneret, Josep Lluís Sert, Charlotte Perriand, Norman Rice, Kunio Maekawa, Sigfried Giedion and others.

Across six chapters, the book shows impressive stills from these films and places them in the respective historical and personal context of Le Corbusier in introductory texts. Two introductions are devoted to the history of these pioneering amateur films and to Ernest Weissmann's life and his life-long relationship with Le Corbusier.

Veronique Boone is an architect from the University of Ghent, Belgium and doctor from the École Nationale Supérieure d’Architecture et de Paysage de Lille (ENSAPL), France and the Université Libre de Bruxelles (ULB), Belgium. She is an associate professor at the Faculty of Architecture La Cambre Horta at the ULB. She lectures on architectural history and theory as well as on the conservation of 20th-century architecture. Her research focuses on the history and theory, as well as the construction history, of modern architecture. She has published extensively in academic publications on Le Corbusier and the mediation of architecture by film and television, and is a correspondant for Belgian and international architectural magazines on contemporary architecture. She has worked on several exhibitions as curator and/or contributor to catalogues – among them, Lucien Hervé, l’oeil de l’architecte, CIVA, 2005; Le Corbusier and the Power of Photography, Musée des beaux-arts La Chaux-de-Fonds, 2012; L’Architecture modern à l’écran, Cinematek, 2014; In the Studio at 35, rue de Sèvres: an Amateur cameraman’s Informal View, Fondation Le Corbusier, 2017 and Atelier Jespers, 2018. She is also Vice-President of DOCOMOMO Belgium.
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Neuroscientific evidence increasingly shows that consciousness is a remarkable but explainable function of a machinelike brain. Alan J. McComas' discusses his article for the American Scientist.

Alan J. McComas is an emeritus professor of medicine at McMaster University in Hamilton, Canada.

Greg is the Executive Director and Founder of the World War II Discussion Forum (wwiidf.org). He also has a strong interest in literature, culture, religion, science and philosophy (translation: he's an eclectic reader who is constantly missing deadlines for book reviews).
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