New Books Network

In this episode, Matthew Mason (Professor of History at Brigham Young University) interviews Rachel Shelden (Associate Professor of History and Director of the George and Ann Richards Civil War Era Center at Penn State University) about her new book, The Political Supreme Court: A Forgotten History (UNC Press, 2026).
Today’s Supreme Court justices bristle at the label “politicians in robes,” insisting that they operate above the fray of partisan politics. But for the first century of the nation’s history, the Court was unmistakably a political institution, both by design and in practice. Justices were fully expected to engage in partisan politics—there was no concern that such engagement would lead to corruption or undue bias—and they remained deeply involved in civic debate and the electoral process while on the bench. In addition to hearing cases in the capital, each justice spent much of his time “riding circuit” and presiding over federal trial courts. On circuit and in Washington, nineteenth-century justices wrote for partisan newspapers, drafted legislation, advised partisan allies, campaigned for colleagues, and even ran for political offices from the bench. Through these political interactions, members of the Court helped shape debates about the Constitution’s meaning at a time when most Americans did not believe in judicial supremacy.

In this sweeping history, Rachel A. Shelden, one of America’s leading voices on the history of the Court, brings readers inside the social and political world of its justices, recovering their essential role in the era’s turbulent politics. She also charts shifts at the turn of the twentieth century, when members of the Court and the legal community refashioned the judiciary as an apolitical institution, setting the stage for an increasingly more powerful—and more isolated—modern Court. The Political Supreme Court is required reading for anyone interested in the legal and political underpinnings of today’s judicial power.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you’re interested in experimental film, there’s a good chance that you’ve read the criticism of Erika Balsom. There’s also a good chance that you’re a fan of her work, since it offers an uncommonly sensitive and insightful account of how contemporary filmmakers are reimagining the world at a moment of crisis and opportunity.
A scholar, writer, and curator, Erika is Reader in Film and Media Studies at King's College London and the author of five books, including TEN SKIES (2021) and After Uniqueness: A History of Film and Video Art in Circulation (2017). Her remarkable body of criticism has been published in venues such as Cinema Scope, New Left Review, 4Columns, and Artforum.
A selection of this criticism has just been published by Columbia University Press as The Edges of Cinema: Essays on Twenty-First Century Film Culture (2026). The book is a rich feast, exploring an idiosyncratic selection of films and a wide range of issues in contemporary film cultures: from the stakes of observation to the effects of digital technologies, from the slowness of “slow cinema” to the renaissance of repertory cinema, and much more beside.
In this episode of New Books in Film, Alix Beeston chats with Erika about The Edges of Cinema's case for the provocations and pleasures of experimental film, as well as the aims and ethos of Erika’s wider critical project. Alix and Erika also discuss their shared fascination with questions of feminist history and their investment in practicing—and championing—inventive, daring writing both in and beyond the academy.
Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023).

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A glass slipper, a fairy godmother, a transformed pumpkin, lizard footmen and seamstress mice: these familiar images evoke a very particular story, one where hopes and dreams for a new life might come true. Adaptations of Cinderella branch out through history and across the world, from early illustrated books to modern children’s and young adult novels, and contemporary films. Cinderella: A Cultural History (Bodleian Library Publishing, 2026) by Dr. Michelle Anya Anjirbag aims to answer the question, why does Cinderella still inspire so many of us with her story?
Beginning with the literary versions of the tale that were popularized by collectors and writers such as Basile, Perrault and the Brothers Grimm, this book looks back at the folktales that informed them, out to the various countries and cultures that share similar stories, and then forwards to what writers, illustrators, filmmakers and other storytellers continue to do with the Cinderella narrative. Instead of taking a strictly historical approach, it explores the ways heroes, villains, helpers and symbols appear in different interpretations, illustrations and adaptations. It draws connections between the historical and contemporary preoccupations, concerns and hopes that the Cinderella story still addresses in the 21st century, and celebrates our enduring desire for enchantment and transformation.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Join Ignat Solzhenitsyn, Daniel Mahoney, and Carter Sneed as they discuss the second part of Aleksandr Solzhenitsyn’s memoirs of exile in the West, Between Two Millstones, Book 2: Exile in America, 1978-1994 (U Notre Dame Press, 2023) and the importance of Solzhenitsyn's work today.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Writing in a time of heightened political anxiety–and when accusations of nationalism, authoritarianism, and proto-fascism have increasingly divided Americans into factions– the authors use their influential performance studies-based 'tourist as actor' framework to unpack the ways that Disney parks and their guests co-create performance of implicit Americanness in the 21st century. Disney Parks and the Construction of American Identity: Tourism, Performance, Anxiety (Lexington Books, 2024) argues that the roles that guests choose to perform-- accepting, declining, negotiating, or overwriting scripts offered to them by the Disney theme park experience-- ultimately reveals much about the nature of the contemporary United States. Focusing primarily on Walt Disney World in Florida, and using case studies on music, geography and ecology, sports, families, and politics, these chapters illuminate the always complicated and often contradictory presentations and performances of America within Disney parks in the deeply contested twenty-first century.
Jennifer A. Kokai is director of the School of Theatre and Dance and the Endowed Chair of the Holloway and the Brit at the University of South Florida.
Tom Robson is assistant teaching professor in Purdue University's Cornerstone Integrated Liberal Arts program.
Peter C. Kunze is an assistant professor of communication at Tulane University.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.