New Books Network

What does it mean for a modernist novel to fail?

Modernism famously celebrates rupture, difficulty, and deviance from literary norms—but that very embrace of formal experimentation creates a paradox: how can we tell the difference between daring innovation and genuinely bad writing? Bad Writing in the Modernist Novel (JHU Press, 2026) takes up this long-overlooked question and argues that modernist aesthetics have made artistic failure uniquely difficult to recognize, both in fiction and in literary criticism itself.
Through incisive close readings of D. H. Lawrence, William Faulkner, Mina Loy, and James Joyce, Nathan Wainstein shows how moments that appear to be mistakes—awkward repetitions, temporal glitches, excessive prose, or stylistic lapses—often hover ambiguously between error and experiment. These moments, he argues, have become privileged objects of interpretation for critics trained to find meaning precisely where form seems to break down. Wainstein situates these textual breakdowns within debates about intentionality, authorial control, and critical authority, showing how modernist fiction unsettles long-standing assumptions about craft and competence. In doing so, the book clarifies why modernist novels continue to generate intense critical attention—and why questions of value and judgment remain so difficult to resolve.
At once a work of modernist literary criticism and a searching reflection on the practice of close reading, Bad Writing in the Modernist Novel rethinks how aesthetic judgment operates in a field shaped by modernism's legacy. By confronting the possibility of genuine failure head-on, Wainstein offers a fresh account of the novelistic form and the pleasures and limits of interpretation.
Nathan Wainstein is an assistant professor of English at the University of Utah. He is the author of Grant Us Eyes: The Art of Paradox in Bloodborne. He is also the cohost of the podcast Authors Die Twice.
Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, available here on the New Books Network and wherever podcasts are found.

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In A Matter of Complexion: The Life and Fictions of Charles W. Chesnutt (St. Martin's Press, 2025), Tess Chakkalakal gives readers the first comprehensive biography of Charles W. Chesnutt. A complex and talented man, Chesnutt was born in 1858 in Cleveland to parents who were considered “mixed race.” He spent his early life in North Carolina after the Civil War. Though light-skinned, Chesnutt remained a member of the black community throughout his life. He studied among students at the State Colored Normal School who were formerly enslaved. He became a teacher in rural North Carolina during Reconstruction. His life in the South of those years, the issue of race, and how he himself identified as Black informed much of his later writing. He went on to become the first Black writer whose stories appeared in The Atlantic Monthly and whose books were published by Houghton Mifflin.
Through his literary work, as a writer, critic, and speaker, Chesnutt transformed the publishing world by crossing racial barriers that divided black writers from white and seamlessly including both Black and white characters in his writing. In A Matter of Complexion, Chakkalakal pens the biography of a poor teacher raised in rural North Carolina during Reconstruction who became the first professional African American writer to break into the all-white literary establishment and win admirers as diverse as William Dean Howells, Booker T. Washington, Ida B. Wells, and Lorraine Hansberry.
Tess Chakkalakal, PhD, teaches African-American and American Literature at Bowdoin College. She is the author of Novel Bondage: Slavery, Marriage, and Freedom in Nineteenth-Century America and co-editor of Jim Crow, Literature, and the Legacy of Sutton E. Griggs and Imperium in Imperio: A Critical Edition.
Hosted by: Raymond Williams, PhD, is a political scientist, blogger, and book club administrator with an interest in American history, biographies, and politics. You can find Raymond at Ballasts for the Mind, Instagram, and Threads.

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In this NBN episode, host Hollay Ghadery speaks with Ed Seaward about his thrilling novel, London Gothic (Dark Winter Press, 2026).
In 1975, John Caine and his nineteen-year-old son Ricky bury a woman near a clump of trees in an open field on the rural outskirts of London, Ontario. In 1984, seventeen-year-old Bethany Caine is haunted by the disappearance of her mother nine years previous. Her father and brother insist Thelma Caine abandoned them one night, evidenced by her brief goodbye note. Having already escaped the house dominated by her brutish father to live with her lover, university student Angela, Bethany presses much older brother Ricky to reveal what actually happened to their mother.
Structured along alternating timelines, with chapters exploring the Caine family in the 1970s interspersed with chapters set around the Victoria Day long weekend in 1984, London Gothic unfolds a story of violence and incest as those who truly love and support Bethany attempt to uncover the mystery of Thelma Caine's disappearance.
Ed Seaward’s novel London Gothic will be published by Dark Winter Press in October, 2026. His debut novel Fair was published in 2020 by The Porcupine’s Quill. Awarded the Silver Medal in Urban Fiction by the 2021 Independent Book Awards, Fair was also shortlisted for the Canadian Authors Association’s 2021 Fred Kerner Award. His screenplay, Mother Daughter Happiness was a finalist at the 2019 Pasadena International Film Festival.
Ed’s web publication Profiles From The Bright Side Of The Road features writers, actors, artists, environmentalists, family and friends. The Newfoundland family series, “It’s Sharpe to Stay Home”, was republished by Downhome Magazine.
After 30 years in the corporate world, Ed now writes full-time. He and his wife Barb live in Georgetown, Ontario.
Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Hollay was also featured on the cover of issue 10 of The Ampersand Review. Learn more about Hollay at her website here.

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What is freedom? Benjamin Constant and Isaiah Berlin divided the answers to that question into two categories: the positive conception of the ancients (freedom to participate in political life) and the negative conception of the moderns (freedom from external constraints). But what if this dichotomy is a false one?
My guest on Madison’s Notes thinks so. So in Episode 6 of Season 6, I interview the political philosopher, Philip Pettit. The L.S. Rockefeller University Professor of Human Values at Princeton, the Distinguished University Professor of Philosophy at the Australian National University, Professor Pettit is the author of many books, including Republicanism (1997) and The State (2023).
Today, drawing upon Republicanism and The State, the nature of freedom as “non-domination,” the neo-republican tradition that began in the Italian Renaissance with Machiavelli, and how this account worked through the Enlightenment and into the American Founding. Also along the way, we talk about Henrik Ibsen, what Constant and Berlin got wrong, the intellectual historian Quentin Skinner, the relationship between technology and freedom, and how political freedom relates to spiritual freedom.
Hosted by Ryan Shinkel, Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions. The transcript for this interview is available on the JMP substack page, “Madison’s Footnotes.

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A gripping exposé of deception, cult power, and the long shadow of Carlos Castaneda, the man behind the biggest literary hoax of the twentieth century.
Twenty years in the making, American Trickster: The Hidden Lives of Carlos Castaneda (OR Books, 2026) unravels the story of the secretive faux-anthropologist who pulled off one of the greatest literary hoaxes in modern history. Both an investigation of the techniques employed by charismatic narcissists and a study of the cult dynamics that still shape American life, “American Trickster” defies conventional biography. It emerges as a chilling allegory for the Trump era, a trenchant critique of academia's complicity in distorting and erasing Indigenous culture, and a deep dive into the mechanics of New Age spiritual abuse.
Author Ru Marshall joins host Emily Dufton to discuss Castaneda's larger-than-life story and lingering effects. Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). Her new book, Addiction, Inc.: Medication-Assisted Treatment and America's Forgotten War on Drugs, was released in 2026.

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