New Books Network

Stacy Innerst is a renowned children’s book artist and painter. His picture books have received a host of starred reviews and have been honored with the Sydney Taylor Book Award (for The Book Rescuer), the New York Times/New York Public Library Best Illustrated Children’s Books Award (Ruth Bader Ginsburg: The Case of RBG Vs. Inequality) and the SCBWI Golden Kite for Picture Book Illustration (The Music in George’s Head.).

In tour wonderful conversation, we celebrate his new book, Piece by Piece: How Stephen Sondheim Made Musical Puzzles Come Alivewritten by Erin Frankel (Author), artwork by Stacy Innerst which launched with Caulkins Creek in April, 2026. We discuss Stacy's love for drawing, his metamorphosis from magazine illustrator to children's book artist (with an emphasis on artist), and how his deep love for history and music infuses his work.
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An unsettling exploration of the persistence of racism in reproductive healthcare in the US—and why even affluent Black women are imperiled by substandard care.From a leading expert on race, class, maternal health, and reproductive rights.Racism in maternal healthcare is not reserved for the poor. An unsparing picture of inequities in prenatal care and childbirth in the United States, Expecting Inequity: How the Maternal Health Crisis Affects Even the Wealthiest Black Americans (MIT Press, 2026) reveals that not only are black people three to four times more likely to die from a pregnancy-related cause, but racial disparities in maternal mortality persist across income levels. That is, wealthier black people are much more likely to die during pregnancy, childbirth, or the postpartum period than their white counterparts. Focusing on a San Francisco obstetrics clinic that caters to the affluent, Khiara Bridges looks at the choices around prenatal care and childbirth that class-privileged, pregnant black people are making in order to survive what has been called the “black maternal health crisis.”Bridges, whose previous work exposed how race and racism are embedded in maternal healthcare for the poor, draws on two years of participant-observation to show how wealthier black people try to leverage their class privilege to avoid some of the negative effects of their blackness—only to discover that in a country that has never reckoned with its horrific racial past, there is no escaping racism’s reach. Throughout the book, engaging, heartbreaking, infuriating stories of women’s experiences with pregnancy and prenatal care illustrate how race and racism matter regardless of wealth or status.
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Molly Brookfield’s book, Watching the Girls Go By: A History of Street Harassment in the United States (University of North Carolina Press, 2026) explores
the historical, legal, and cultural history of street harassment in the
United States. Historically, Brookfield identified the "masher panic"
(late 19th–early 20th century) when reformers and municipalities labeled
male accosting of women a public problem and enacted anti-masher
ordinances or applied disorderly-conduct laws. On law and policy, the
book highlights primarily local legal responses against harassment, with
municipal codes and reinterpretations of existing ordinances more
common than coherent federal action that criminalizes mashing.

In Watching the Girls Go By,
street harassment is situated on a continuum with other gendered and
sexualized violence, with the argument that street harassment normalizes
and underpins more extreme harms against women. The book portrays
historical scholarly perspectives to street harassment including those
of Cheryl Bernard and Edith Schlaffler. Also, the book builds on diverse
historical sources and employs varying terms for similar behaviors. The
author uses "intrusive behaviors" as a more precise analytic category
while preserving period-specific terms when discussing particular
historical contexts.

Mariam Olugbodi
is a university teacher and a writer, she is the author of the
monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches
Commentaries in the UEFA Champions League”, published by Grin Verlag.
Mariam’s greatest dream is seeing a world where knowledge is accessible
to all. She does this through her volunteering roles on open knowledge
platforms as a host and an editor. As part of her effort to maintain
inclusion and diversity in knowledge transmission, she volunteers as a
teacher in crises contexts. Learn more and connect with Mariam through
her social links: LinkedIn, ORCID, Meta.
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In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade’s Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision.

Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time.
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What does the JKF assassination mean to us now? In ⁠The Umbrella Man and Other Stories: What We Talk About When We Talk About the JFK Assassination⁠, (Biteback Publishing, 2026) ⁠Martin Fitzgerald⁠
explores the lives and stories of the people present on that day in
Dallas at Dealey Plaza. In doing so, the book examines cultural memory,
artistic representations, history, conspiracy theory and the global
impact of the event. Drawing on personal reflections, rich archival
sources, and contemporary interviews, the book offers a brilliant and
compelling narrative that goes beyond the circumstances of 1963 to the
present day. The book will be of significant interest to a range of
humanities scholars as well as to anyone interested in the ongoing
legacy of one of the twentieth century’s defining events.
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