New Books Network

When the Taiwanese political drama Wave Makers appeared in April 2023, few anticipated its impact beyond the screen. Within weeks, survivors in politics, the media, academia and the arts began sharing experiences of sexual harassment and assault, giving momentum to Taiwan’s long-delayed #MeToo movement.
XinLing Li’s new book, Wave Makers and the Rise of #MeToo in Taiwan: Media, Empathy, and Digital Testimony (Anthem Press, 2026), asks how a fictional series became a cultural catalyst. Li argues that the drama gave form to experiences that had remained unspoken, while social media allowed personal testimony to circulate without institutional permission.
The book is part of the new short-book series, ‘Anthem Impact in Asian Media, Cinema and Communications’.
In this podcast, Dr Ming-yeh T. Rawnsley talks with Dr Li about television, empathy, digital testimony, and the opportunities and inequalities within Taiwan's #MeToo movement. Themes include:
Why Taiwan’s #MeToo movement came late - the gap between progressive laws and the cultural conditions that still discourage survivors from speaking.
The ‘perfect victim’ - how Wave Makers challenges the assumption that only women who conform to conventional ideas of femininity deserve belief and justice.
The feminist snap - why the line ‘Let’s not just let it go this time’ gave viewers a language for recognising accumulated injustice.
Empathy and narrative identity - how fictional characters help audiences interpret their own experiences and respond to others.
Digital testimony and affective publics - how social media weakens traditional gatekeeping while introducing new risks and struggles for attention.
Women’s solidarity - how the drama examines agency, family relationships and the historical expectation that women define themselves through men.
The limits of visibility - why migrant domestic workers remain especially vulnerable and often unable to speak without risking their livelihoods or immigration status.
One of the book’s most compelling arguments is that art can give structure to what Raymond Williams called ‘emergent feelings’: experiences without an accepted public language. Through recognisable characters and an accessible story, Wave Makers transformed a familiar instruction to remain silent – ‘just let it go’ – into a shared refusal.
The podcast also considers how the hashtag changes testimony. Survivors can now address audiences directly, rather than relying entirely on journalists and other institutional gatekeepers. Yet visibility remains uneven. Stories involving celebrities and senior politicians attract attention more readily than those of migrant domestic workers, who may face dismissal, loss of visa status or deportation if they speak publicly.
Li is cautious about treating Wave Makers as a formula for political change. No television programme can produce a movement on demand. Popular culture can nevertheless offer language and recognition when audiences are ready to respond.
The story of Wave Makers is ultimately about the unpredictable movement between fiction and public life: a drama helped people recognise experiences they had been encouraged to dismiss, while digital platforms allowed the words ‘me too’ to become testimony, solidarity and action.
Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short-book series, ‘Anthem Impact in Asian Media, Cinema and Communications’.
Dr Xinling Li is an independent scholar based in New York. He studied at Cambridge University.

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This episode’s centers on Sophie Lewis’s new book Femmephilia. A collection of essays published in various outlets over the last several years, this book will take readers through a number of disparate topics, from the recent Disney remake of The Little Mermaid to experiments with psychedelics to the bizarre meanings one might find at its end. Uniting it all though is an unapologetically anticapitalist and utopian feminism, one that sees in various examples and experiences of femme glimpses both of the contradictions of our present moment and brief glimmers of what an emancipated world might look like.
Sophie Lewis is a freelance writer, with work appearing in a number of outlets including London Review of Books, The Drift and e-flux. Her previous books are Enemy Feminisms, Abolish the Family and Full Surrogacy Now.

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Kenneth R. Feinberg's What is Life Worth? New Edition with Reflections 25 Years After 9/11 (Rivertown Books, 2026) shares the story that inspired the acclaimed motion picture Worth, told by the man behind the 9/11 Victim Compensation Fund—a moving saga of national tragedy and healing.
Now with the author’s reflections on how today’s hyper-partisan America needs to unite to face our greatest challenges. Just days after September 11, 2001, attorney Kenneth Feinberg was appointed by Congress to administer the federal 9/11 Victim Compensation Fund—a unique effort to compensate families victimized in the terror attacks. He was given an unlimited budget and total authority over how to spend it.
Feinberg soon found himself under attack and mired in controversy. Traumatized and angry, some families threatened to sue over awards they considered skimpy; others were insulted by the very idea that a dollar value could be placed on the lives of their loved ones. Feinberg spent three years meeting 9/11 survivors and families, hearing their stories and absorbing their grief.
Gradually, Feinberg earned the respect and support of the 9/11 families, over 97 percent of whom chose to participate in the fund rather than sue. What Is Life Worth? shares the lessons Feinberg learned about the power of compassion and the limits of any effort to place a value on human life.

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Research Triangle Park in North Carolina (RTP) emerged under the unique circumstances of a poor Southern state that needed to find a way to offset the declining industries of tobacco, furniture, and textiles in the 1950s. Through the sustained commitment of nearby universities, business leaders, and local and state officials, state leaders established the largest science and research park in the United States in an area that was nothing but “possums and pines.” Miracle Road: The Story of Research Triangle Park (Duke University Press, 2026) tells this story through the eyes of those at the center of it, like the local black leaders who convinced white officials to desegregate public schools with the justification that it would make the area more appealing to tech companies, or how a chance meeting between the governor and a Danish executive led to North Carolina becoming an epicenter for weight loss drugmakers decades later. Allen Paul and Mack Paul organize the story around major periods in RTP’s growth, showing how RTP came to define the region and the state by the 1990s as well as the major setbacks it encountered in the early 2000s. Breaking down the strategies that led to RTP’s success, like creating new institutions in targeted tech areas to spur activity and factoring quality of life into the regional planning of the area, Miracle Road demonstrates how the story of Research Triangle Park is a fascinating and important case study of urban development in the twenty-first century.

Mack Paul cofounded Morningstar Law Group, where he is a partner. He teaches land use law at North Carolina State University and North Carolina Central University. Mack served as chair of the Greater Triangle Regional Council and has written extensively about the development of the Triangle Region.
Caleb Zakarin is CEO and Publisher of the New Books Network.

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Thomas Schatz returns us to an era when a newly enriched movie industry rediscovered its creative energy, and indie went mainstream without losing its edge.

Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbusters—Batman and Titanic, Toy Story and The Lord of the Rings—an indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.

Power Surge: Conglomerate Hollywood and the Studio System's Last Hurrah with Thomas Schatz (U California Press, 2026) traces these trajectories, which increasingly clashed and commingled during the 1990s and early 2000s, resulting in nothing short of a new golden age—and perhaps the last gasp of the century-old studio system.

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