New Books Network

This episode featured a conversation with Ramnarayan Rawat, K. Satyanarayana, and Sanal Mohan, three scholars in the burgeoning field of Dalit Studies. We began with the significance of the 1990s as a point of departure for new work in this field and segued to the interventions made by their two edited volumes published in 2016 and 2025. We discussed the paths opened up by earlier radical historiographical paradigms, such as Subaltern Studies, which nonetheless failed to address the caste question. The guests noted three key emphases of contemporary Dalit Studies: one, centering Dalit historical agency and intellectual production; two, decentering the binary of colonialism and nationalism, and illuminating the colonial period as a complex terrain of maneuver; and three, foregrounding the importance of “the Dalit social” as a field of variegated power irreducible to the state. We ended with a discussion of the heterogeneity of Dalit sociopolitical formations, what makes “Dalit” cohere as a category, and future directions for the field of Dalit Studies.

Read the transcript here

References

Ramnarayan Rawat and K. Satyanarayana eds. Dalit Studies (Duke University Press, 2016)

Ramnarayan Rawat, K. Satyanarayana, and Sanal Mohan eds. Dalit Journeys for Dignity: Religion, Freedom, and Caste (SUNY Press, 2025)

Rajni Kothari, “Rise of the Dalits and the Renewed Debate on Caste.” In State and

Politics in India, edited by Partha Chatterjee, 439–58 (New Delhi: Oxford University

Press, 1998).

Gopal Guru, “The Language of Dalit-Bahujan Political Discourse.” In Dalit Identity and

Politics, edited by Ghanshyam Shah, 96–107 (New Delhi: Sage, 2001).

Baburao Bagul, Dalit Sahitya ajache Kranti Vidynana (Nagpur: Buddhist Publishing

House, 1978).

Belcchi: village in Patna district of Bihar where eight Dalits and three Backward Caste men were killed by members of the landowning Kurmi caste in 1977.

Keezhvenmani: hamlet in Nagapattinam district of Tamil Nadu where upper caste landlords burnt alive 44 Dalit agricultural laborers in 1968.

Karamchedu: village in Bapatla district of Andhra Pradesh where members of the Kamma landholding caste murdered six Dalit men, raped three Dalit women, and displaced hundreds of Dalit families in 1985.

Vempenta: village in Kurnool district of Andhra Pradesh where, in response to the killing of a village official by the People’s War Group, landholders killed more than thirty Dalits and burned more than 100 of their houses in 1998.

Chundur: village in Bapatla district of Andhra Pradesh where members of the Reddy landholding caste killed eight Dalit men in 1991.

Mandal Commission:

Divya Cherian, Merchants of Virtue

B.R. Ambedkar, Annihilation of Caste

Phule: Jyotirao Phule was an anti-caste social reformer and writer from Maharashtra.

NTR: Indian actor and politician who served as the Chief Minister of Andhra Pradesh for four terms between 1983 and 1995.

Mahad Satyagraha: mass mobilization by B.R. Ambedkar to claim Dalit access to a public water tank in Mahad, Maharashtra.

Ayyankali: Indian social reformer and lawmaker who worked for the advancemetnt of Dalits in the princely state of Travancore.

Ad Dharm: an anticaste movement in the 1920s that claimed a distinct identity for Dalits separate from Hinduism and Sikhism.

Adi Hindu Mahasabha: sociopolitical organization founded in 1923 by Dalit leader Swami Achhutanand in Uttar Pradesh that claimed for Dalits the identity of originary Hindus.

IITs: the Indian Institutes of Technology
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The Bartered Bride, a comic opera by Bedrich Smetana, premiered in Prague on March 30, 1866. Its pastoral love story and setting in a rural Czech village eventually became an enduring symbol of Czech nationalism. In Visions of the Village: Ruralness, Identity, and Czech Opera (Oxford University Press, 2025), Christopher Campo-Bowen examines how a particular image of the rural village in a set of Czech operas written between 1866 and 1904 became a powerful signifier for Czech ethnoracial and nationalist identity. He follows this conception of Czech identity and its entanglement with opera through the political changes in the years when the Czech lands were ruled by the Austro-Hungarian Empire and the upheaval that followed when the Empire collapsed in 1918 and the First Czechoslovak Republic was founded. In addition to composers and their operas, Campo-Bowen investigates the output of critics, administrators, and other urban intellectuals to understand the impact of village operas on public discourse. By setting his analysis within a discussion of how race was understood in nineteenth-century Europe, Campo-Bowen shows that this seemingly straightforward nationalist discourse was shot through with racialized essentialism and ideas about gender that were connected with larger political realities. He ends the book with a discussion of the resonances of this nineteenth-century conception of Czech identity in the current Czech Republic.
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Descended from Mughal nobility, Akhtar al-Nisa Begum Nawab Sarbuland Jung grew up in Hyderabad in southern India, where she lived a quiet, private, and privileged life at the heart of the state's royal court. In 1896, at the age of 20, she married Nawab Muhammad Hamidullah Khan Sarbuland Jung, a prominent lawyer and the scion of a leading Muslim reformist movement. In 1909, the wealthy couple embarked on a four-month journey through the Middle East and Europe, performing the hajj in Mecca and sitting for tea with the future king and queen of England.

A Journey to Mecca and London: The Travels of an Indian Muslim Woman, 1909–1910 (Indiana University Press, 2025) provides
the first full English translation of Begum Sarbuland's Urdu travel
diary from this journey, of which only three original copies remain.
Originally intended for circulation among friends and family and later
published, her informal entries not only reveal the everyday practices
of an Indian woman of her time, but also detail her impressions and
reactions as she explored the world alongside her husband. As Begum
Sarbuland encountered other women and Muslims during her travels, those
encounters shaped her reassessment of her own identity as a Muslim
woman. Her observations hold continued significance for readers
interested in critical questions about gender, Islam, and identity.
Daniel Majchrowicz has thoroughly annotated his translation and paired
it with rich appendices, including a biographical sketch of Begum
Sarbuland and excerpts from Hamidullah Khan's own accounts of their
journey.

Engagingly written and enriched with years of original research, archival work, and family interviews, A Journey to Mecca and London
restores the nearly forgotten narrative of one of India's first Muslim
women travel writers to its rightful place in Indian and Islamic
history.
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Today’s guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater’s spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.”

Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt’s travel compendium; metonymic possession in Christopher Marlowe’s Tamburlaine; “seasoning” in Ben Jonson’s city comedies; “stagewreck” in Shakespeare’s The Tempest; and “stagework” in the Lord Mayor’s Shows.

By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater.

Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance.
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The Red Wind Howls (Columbia UP, 2025) is an unsettling, gripping, and darkly funny novel by Tsering Döndrup, one of modern Tibet’s most celebrated writers. First self-published in 2006 after no publisher was willing to take the political risk, the novel traces Tibetan experiences under Mao Zedong’s rule, from the 1958 Amdo uprising and the Great Leap Forward to the Cultural Revolution. Through a nonsequential narrative that moves back and forth between characters and events, The Red Wind Howls weaves together experiences of labor camps, unrelenting hunger, environmental devastation, and the destruction of language into a powerful exploration of twentieth-century Tibetan history.

In this episode, I speak with the novel’s translator, Christopher Peacock, about the challenges of translating a work that weaves together oral storytelling and history. We discuss the recurring character Alak Drong, the novel’s striking use of dark humor, the ways its characters navigate famine, labor camps, political campaigns, and shifting systems of survival, and above all the importance of reading literature by Tibetan authors.

Listeners should also seek out Chris’s translation of Tsering Döndrup’s short story collection, The Handsome Monk and Other Stories, and his article on the use of language in Tsering Döndrup’s fiction, here.
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