New Books Network

WWII in East Timor: An Australian Army Site and Travel Guide (2/2 Commando Association of Australia, 2024) is an overdue addition to the history of a campaign that remains surprisingly little known in Australia, despite its significance to Australia’s part in the war. Working district by district – from Dili south to Aileu, Ainaro and Manufahi, west to Liquiçá, Ermera, Bobonaro, Cova Lima and Oecusse, and east to Manatuto, Baucau, Viqueque and Lautem – this book offers a fresh, site-based perspective on the Second World War in East Timor (Timor-Leste).
The book’s starting point is the “Gazetteer of Towns and Villages in Portuguese Timor”, compiled in 1943 by the Allied Geographical Section. With meticulous precision, Willis revisits these sites and adds GPS coordinates, maps, wartime photographs by Sergeant Keith Davis, contemporary photographs taken at the same locations, and paintings by Australian war artist Charles Bush. These are supplemented with accounts from the Australian War Memorial and National Archives, Trove, unit and campaign histories, Timorese testimony, and new material from sources in Portuguese, Dutch, Japanese and Tetum. In doing so, it brings together diverse sources – archival, oral and site-based – that have not previously been assembled in one place.
Following these sites, the book traces the arrival of Sparrow Force on the island of Timor in December 1941 and the landing five days later of a combined Australian and Dutch detachment in neutral Portuguese territory at Dili, through to the Japanese assault of 20 February 1942 and the guerrilla campaign that followed. It also covers sites relevant to the two and a half years of occupation after the January 1943 Allied withdrawal, including the extensive Japanese defensive infrastructure built using Timorese forced labour, famine, executions, Allied bombing of towns and villages, and the role of the covert Services Reconnaissance Department operations.
The book is targeted toward Australian defence and diplomatic personnel posted to Timor-Leste, professional military education and staff, and veterans, descendants and travellers who want to locate the places where battles were fought and ambushes laid. It makes an important contribution to Timor-Leste’s potential as a heritage tourism destination, with the economic benefits such a sector brings. Above all, it serves to acknowledge the Timorese people whose support made the Australian campaign possible, and the landscapes on which this shared history is written.
The book can be purchased from the 2/2 Commando Association of Australia.
Edward Willis is a committee member of the 2/2 Commando Association of Australia and a former Deputy University Librarian at Curtin University. His father, William Edward (Bill) Willis, served with the Signals Section of the No. 2 Australian Independent Company on Portuguese Timor in 1942. He has been travelling to Timor-Leste to survey wartime sites since 2008, and prepared this guide with the support of a grant from the Australian Army History Unit.
This episode is hosted by Dr Natali Pearson.

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It seems likely that most listeners to this podcast channel have heard of “shell shock,” the old name for what is now called post-traumatic stress disorder (usually abbreviated as PTSD). Even today, the long-term effects of combat tend to be under-estimated, but that was much more true in the years following World War I, when the diagnosis of “shell shock” first appeared.
Terri Lewis’s When They Came Home (Miami UP, 2026) tackles this problem head-on. Based on the lives of the author’s grandparents, this beautifully written, compassionate novella follows the war experiences and long-term effects of combat on not only the soldiers themselves but their families, forced to confront what to them often appears incomprehensible behavior that affects their loved ones’ ability to function in the post-war world.
The story focuses on Milton Fieth, a twenty-one-year-old farmer from Kansas who, like the other young men on his train, enlists out of a sense of duty to his country, hope of glory, and a free trip to France. The reality of the trenches horrifies him, and the loss of cherished comrades leaves him with massive survivor guilt for which he has no name. A year later, he’s back home, where he meets a young woman named Edith whom he courts and eventually marries. Only as the years turn into decades do both Milton and Edith realize that the scars left by those few horrific months will never heal completely.
Terri Lewis, a former ballerina, won the Miami University Press 2025 Novella award for When They Came Home. Her debut novel, Behold the Bird in Flight, appeared in 2025. Her interests lie with historical fiction—not dates or wars but untold stories of daily lives, particularly forgotten women. Find out more about her and her books at here.

C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels, including one co-written with P.K. Adams. Her latest book, Song of the Silk Weaver, appeared in September 2026.

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In June 1968, a twenty-four-year-old Palestinian immigrant named Sirhan B. Sirhan assassinated Senator Robert F. Kennedy, marking yet another killing in a decade haunted by political violence. As he was being subdued, Sirhan shouted, “I can explain. I did it for my country,” by which he meant Palestine. On trial, he testified that his motives included opposition to Zionism, with particular anger directed toward Kennedy because of the senator’s call for arms sales to Israel. Despite Sirhan’s confessions, the significance of the Arab-Israeli conflict to the slaying largely escaped notice—or was actively obscured.

I Did It for My Country: Sirhan Sirhan, Palestine, and the Assassination of Robert F. Kennedy is a revelatory account of Sirhan and the political dimensions of the assassination of Robert F. Kennedy. It illuminates Sirhan’s Palestinian background, war-torn childhood, and experience of displacement, considering to what extent trauma contributed to his mental health problems. Michael R. Fischbach uncovers how prominent actors—from the United States and Middle Eastern governments to Jewish and Arab American groups—deliberately depoliticized the assassination by downplaying Sirhan’s grievances about American support for Israel. He also examines why US authorities investigated possible Arab co-conspirators and explores how Palestinians understood Sirhan’s action, as well as how Sirhan has maintained his Palestinian nationalism during his decades in prison. Drawing on in-depth archival research—including FBI and CIA documents—this book pinpoints a missed opportunity to consider how US foreign policy could affect domestic security.

Michael R. Fischbach is professor of history at Randolph-Macon College. His books include The Movement and the Middle East: How the Arab-Israeli Conflict Divided the American Left (2019); Black Power and Palestine: Transnational Countries of Color (2018); and Records of Dispossession: Palestinian Refugee Property and the Arab-Israeli Conflict (2003).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

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Celebrated poet, essayist, playwright, and American artist Langston Hughes is one of the few American writers who consistently wrote about democracy from a joyous perspective, and My America explores how his work speaks to the political anxieties and crises we face today. Randal M. Jelks deftly examines the themes in Hughes’s work, including creative expression, communal dignity, class struggle, and human suffering, and what they mean for our inner well-being as democratic persons and political participants.
With care and no-holds-barred insight, My America: Langston Hughes on Democracy (Broadleaf Books, 2026) removes the veneer of respectability often placed on Hughes’s work and life to reveal his political adeptness. In a world threatened by fascism, Hughes’s writing wasn’t afforded the luxury of subtlety. He made a spiritual and political decision to stand on the side of the oppressed. He believed art should be practiced for the sake of justice. And democracy can be practiced with joy.
Dr. Randal Maurice Jelks is an award-winning author, documentary film producer, and professor. He is the author of four books. His writings have appeared in the Boston Review, the Los Angeles Review of Books, blogs, journals, and periodicals. You can learn more about him and his work at his website.
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We are in a state of crisis. Democracy is under threat, authoritarian politics are on the rise, and digital media—once heralded as emancipatory technologies—are increasingly implicated in democratic erosion. The Discursive-Digital Link offers a critical framework for understanding the entangled relationships between discourse, digital media, and the hidden dynamics behind antagonism and polarisation.
The Discursive-Digital Link: Antagonism and Polarisation in Digital Spaces (Routledge, 2025) presents a fluid social ontology that theorises how discourses and digital communication technologies are inseparably entangled, and how this entanglement contributes to the formation of complex hierarchical relations. Drawing on discourse theory and new materialist perspectives, Dehghan maps how the various components of the discursive-digital link—users, collectives, identities, the medium’s design, underlying neoliberal capitalist logics, and structural power dynamics—together shape antagonistic frontiers in digital spaces. Through detailed case studies across multiple digital media, Dehghan demonstrates how these entanglements manifest through different articulatory logics that could transform societies towards either agonistic progress or disastrous polarisation.
By revealing the logics of discursive-digital alliances and active passivity, Dehghan provides critical insights for academics, activists, and anyone seeking to foster progressive togetherness. The Discursive-Digital Link offers a powerful theoretical framework and methodology for analysing digitally mediated communication. It challenges monolithic understandings of polarisation, technological solutionism, and symptom-focused approaches, instead advocating for radical structural interventions across all entangled components of the discursive-digital link—a necessary shift in both academic research and progressive political strategy to address the democratic crises of our time.

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