New Books Network

In the early twentieth century, American ragtime and the Parisian tango fuelled a dancing craze in Britain. Public ballrooms were built throughout the country, providing a glamorous setting for dancing. The new English style, defined in the 1920s and followed by the films of Fred Astaire and Ginger Rogers in the 1930s, ensured that ballroom dancing continued to be the most popular British pastime until the 1960s, rivalled only by cinema.
Ballroom: A People's History of Dancing (Reaktion, 2022) by Dr. Hilary French explores the vibrant history of ballroom and Latin dancing: the dances, lavish venues, competitions and influential instructors. It also traces the decline of couple dancing and its resurgence in recent years with the hugely popular TV shows Strictly Come Dancing and Dancing with the Stars.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3).
Today’s guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello’s Black Handkerchief.” Ian is the current President of the Shakespeare Association of America.
John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.
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At the 2020 Tokyo Olympic Games (held in 2021 due to COVID-19), the fifty-four African countries that participated finished the tournament with the lowest medal haul for any continent, continuing a historic trend since the inception of the modern Games in 1896. Reflecting this relative lack of sporting success, African Olympians—aside from elite Kenyan distance runners—rarely register in the minds of even the most dedicated followers of the Games. Yet for all their seeming invisibility on the Olympic landscape, African states, athletes, and officials have long been “winning” at the Olympics, albeit often far removed from the medal podium.Africa and the Olympics: Winning Away from the Podium (Ohio University Press, 2024) by Dr. Todd Cleveland shows how African actors have achieved these nonsporting victories and examines how they have used the Olympics to engage in transformative political activity, realize social mobility, and enhance the quality of life for individuals, communities, and entire nations. In tracing these historical and contemporary processes and the motivations that underlie them, the book complicates reductive notions of the Olympics as solely a sporting competition and instead considers Africa’s engagement with the Games as a series of opportunities to improve personal, communal, ethnic, national, and even continental plights.If few sports fans have thought extensively about Africa and the Olympics, scholars have been only slightly more engaged with the subject. Most of this scholarship focuses on the International Olympic Committee’s ban of apartheid South Africa from 1964 to 1988. Other works that consider the Olympics more broadly tend to deal with Africa only summarily, further reducing its already low profile. As a result, the academic literature resembles a patchwork of circumscribed studies dispersed in a range of fields and disciplines. Not since the publication of Africa at the Olympics almost fifty years ago has a single volume featured a comprehensive history of the continent and the Games. This book both updates and expands previous work and, most importantly, reframes the analytical engagement with this topic.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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A People's Church brings together a distinguished international group of historians to provide a sweeping introduction to Christian religious life and institutions in medieval Italy. Each essay treats a single theme as broadly as possible, highlighting both the unique aspects of medieval Christianity on the Italian peninsula and the beliefs and practices it shared with other Christian societies. Because of its long tradition of communal self-governance, Christianity in medieval Italy, perhaps more than anywhere else, was truly a "people's church." At the same time, its exceptional urban wealth and literacy rates, along with its rich and varied intellectual and artistic culture, led to diverse forms of religious devotion and institutions. Contributors: Maria Pia Alberzoni on heresy; Frances Andrews on urban religion; Cécile Caby on monasticism; Giovanna Casagrande on mendicants; George Dameron on Florence; Antonella Degl'Innocenti on saints; Marina Gazzini on lay confraternities; Maureen C. Miller on bishops; Agostino Paravicini Bagliani and Pietro Silanos on the papacy and Italian politics; Antonio Rigon on clerical confraternities; Neslihan Şenocak on the pievi and care of souls; Giovanni Vitolo on Naples. Maureen C. Miller on bishops; Agostino Paravicini Bagliani and Pietro Silanos on the papacy and Italian politics; Antonio Rigon on clerical confraternities; Neslihan Şenocak on the pievi and care of souls; Giovanni Vitolo on Naples.Maureen C. Miller on bishops; Agostino Paravicini Bagliani and Pietro Silanos on the papacy and Italian politics; Antonio Rigon on clerical confraternities; Neslihan Şenocak on the pievi and care of souls; Giovanni Vitolo on Naples.Maureen C. Miller on bishops; Agostino Paravicini Bagliani and Pietro Silanos on the papacy and Italian politics; Antonio Rigon on clerical confraternities; Neslihan Şenocak on the pievi and care of souls; Giovanni Vitolo on Naples.

Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. Her current research focuses on cleaning gilded wooden frames using gels.
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As long as there has been music, the form has been used as a vehicle for storytelling. Artists who have something to say often find that putting it into music is the ideal means of communicating thoughts and feelings to others. And the concept-album form is a logical extension of that storytelling impulse, often writ large. It allows the writer to tackle bigger themes, more involved story lines, more finely textured characters and ideas.

In the pages of What’s the Big Idea? (Hozac, 2025), author Bill Kopp explores 30 remarkable concept albums, drawing on new, firsthand interviews with the artists behind their creation.

Author of the critically acclaimed Disturbing the Peace, Kopp turns us down the darkest road of musical blind-spots yet, the concept album, a previously shunned genre, now worthy of your curiosity. And then you hear something like Ogden’s Nut Gone Flake, and The Turtles Present Battle of the Bands, or S.F. Sorrow, and you’re really second-guessing yourself now, right? As it turns out, there’s something genuinely interesting about this “concept” in itself, and it lends us a look into a world when musical creativity really had been unleashed in its full glory. Yes, those extravagances produced much audio garbage, but very few people even get that chance anymore, despite the ease of home recording. Even Captain Sensible and The Church committed this ‘big ideas’ into noteworthy efforts, along with Hawkwind, William Shatner, Ghostface Killa, and of course, Pete Townshend, who graciously offers an exclusive interview here.

Bill Kopp is a freelance journalist and the author of Reinventing Pink Floyd: From Syd Barrett to the Dark Side of the Moon and Disturbing the Peace: 415 Records and the Rise of New Wave.

Bill Kopp’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
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