New Books Network

The Political Economy of Oil in Venezuela: Class Conflict, the State, and the World Market (Brill, 2026) is the latest book from Dr. Kristin Ciupa, Associate Professor of Sociology at the University of Regina. Published with Brill, this book provides a detailed and engaging account of the historical development of Venezuela’s political economy and interrelated oil industry. The book takes us from Venezuela prior to the advent of oil discovery where the economy was dependent on a limited range of export-oriented agricultural crops, all the way up to the Bolivarian government project instituted by Hugo Chavez. Of course, Venezuela has been at the centre of political turmoil at present, and it is crucial to get a strong, historical understanding of Venezuela’s political economy, connected as it is with broader regional and global developments, to more concretely comprehend the current moment.

Ciupa situates Venezuela within not only the broader ‘Pink Tide’ that swept different parts of Latin America since the1990s, but also within the dynamics and tendencies of oil extraction and class politics at a local and international scale. Much of the literature has seen Venezuela as trapped in the classic ‘resource curse’, where oil-exporting developing countries earn windfall revenues but have been unable to translate that to sustainable growth and development, which is usually deemed to be due to poor economic planning, weak institutions, and a lack of incentives for governments to invest. Ciupa’s book argues, instead, that the interplay between national and international structures and relations of power, in Venezuela and in the global market, serve to perpetuate oil dependence. In making this argument, Ciupa presents a detailed, historical analysis of the ways in which the country was subsumed into the global economy as an oil exporter, tracing Venezuela’s development and political economy through its prior dictatorships, the crises of the twentieth century, and then finally through the revolutionary Bolivarian government led by Hugo Chavez and then Nicolas Maduro. Kristin Ciupa’s new book is a detailed, theoretically invigorated, and careful examination of Venezuela and its oil industry, which is still at the centre of geopolitical struggles more broadly today.

Elliot Dolan-Evans is a sessional lecturer and tutor in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press.
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What does it mean to tell the Passover story as a truly diverse people? In this episode, Rabbi Marc Katz sits down with editor Rabbi Sarah Berman to discuss Haggadah Shel Erev Rav: The Mixed Multitude Haggadah (CCAR Press, 2026), a bold and beautiful reimagining of the Passover seder.

Inspired by the biblical image of the erev rav—the “mixed multitude” that left Egypt together—this Haggadah celebrates the many voices that make up the Jewish people. It invites readers to rediscover the Exodus story through four distinctive pathways: the voices of children, the experiences of women, the moral urgency of social justice, and the presence of God in the work of liberation.

With an inclusive and accessible translation, thoughtful commentary, and vivid original artwork by Indian Jewish artist Siona Benjamin, Haggadah Shel Erev Rav blends deep tradition with contemporary insight. Created in celebration of Rabbi Angela W. Buchdahl’s twentieth anniversary at Central Synagogue, the book offers a fresh lens on one of Judaism’s most beloved rituals—helping families and communities transform the seder into a space of reflection, connection, and renewal.

Together, Berman and Katz explore how the Passover story continues to evolve, what it means to honor many voices at the table, and how the ancient narrative of liberation can speak powerfully to modern Jewish life.

About the Guest

Rabbi Sarah Berman is the Director of Jewish Culture and Programming at Central synagogue. She is the editor of Haggadah Shel Erev Rav: The Mixed Multitude Haggadah.

About the Host

Marc Katz is the Senior rabbi of Temple Ner Tamid and the author of Yochanan's Gamble: Judaism's Pragmatic Approach to Life.
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Forests in fiction are often understood simply as settings, symbols, or remnants of a premodern past. Yet many African novelists have turned to the forest to experiment with worldbuilding and to imagine new futures. This groundbreaking book explores the life of the forest in African fiction, showing how writers have used it to reinvent the novel’s formal, aesthetic, and political possibilities.

 Ainehi Edoro argues in Forest Imaginaries: How African Novels Think (Columbia UP, 2026) that forests in African fiction are laboratories for unmaking and remaking the world, where writers break apart familiar forms to test alternate forms of life, knowledge, and power. Instead of treating the forest as a backdrop, these writers imagine it as a living structure: a space where politics, history, myth, violence, technology, the magical, and creativity animate fictional worlds. Spanning indigenous African narratives and contemporary science fiction, Forest Imaginaries traces the lineage of forest worlds in African literature: Chinua Achebe’s evil forest, the cosmic forest in Wọle Ṣóyínká’s mythic imagination, Thomas Mofolo’s forest of imperial dreams, Amos Tutuola’s endless fractal forest, and Nnedi Okorafor’s aquatic forest of new ecological futures. This book rethinks African literary history by showing how African writers draw on the forest—and the wealth of Indigenous ideas about time, space, and storytelling it conjures—to transform the novel’s aesthetic, political, and philosophical horizons.

Ainehi Edoro is a Mellon-Morgridge Assistant Professor of English and African cultural studies at the University of Wisconsin–Madison. She is the founding editor of Brittle Paper, a leading platform for African literary culture.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
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Cinema Before the World: The Global Routes of the Lumière Brothers (Fordham UP, 2026) investigates the transnational origins of filmmaking by focusing on a case study in world cinema—the 1896-1897 voyage of one of the Lumière Brothers camera operators, Alexandre Promio, across North Africa and the Middle East. The book shows how the sites in these early films are not simply backdrops, but integral to film form and its global history.

Connecting a series of filmic principles (framing, tracking shots, close-ups) to the sites where they are made visible (a rooftop in Algiers, a train station and the Jaffa Gate in Jerusalem), Allan unsettles a familiar narrative of imperial vision. In the interplay of local history and global media, he highlights tensions between ethnography, observation, and visual capture, revealing how the Lumière Brothers films persist as living archives.

The book evokes a formative moment when cinema stood before the world—both as a technological marvel and as a medium that shaped how space and time were perceived. Tracing a journey from Algeria to Egypt and Palestine, and moving across media from lithography to photography and panoramas, Allan shows how in the hands of later filmmakers, such as Egyptian director Youssef Chahine and the Syrian collective Abounaddara, the Lumière films continue to enrich and inform visions of what cinema—and the world—can be.

Cinema before the World offers a critical historical intervention in the global story of the cinematograph and a visionary method for film scholarship grounded in transnational analysis across languages, regions, and media.

Michael Allan is Associate Professor of Comparative Literature and Cinema Studies at the University of Oregon. He is the author of In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton, 2016, winner, MLA First Book Prize) and serves as editor of the journal Comparative Literature.
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In Tension: Mental Distress and Embodied Inequality in the Western Himalayas (Duke UP, 2026), Dr. Nikita Kaur Simpson examines the effects of rapid development in the Himalayas on the minds and bodies of the Gaddi people who inhabit them through attention to the multifaceted state of distress they call “tension.” This “tension” takes many forms: Kamzori, or weakness, in the bodies of elderly women; “Future tension” accumulating in the minds of young girls; or Opara, or black magic, afflicting whole families.

Through her long-term ethnographic fieldwork, Dr. Simpson follows the ways in which Gaddi people tie this distress to broader structural changes, such as land dispossession and caste, class, tribal and gender inequality, which are growing alongside modernity and prosperity. In doing so, she shows how “tension” acts as an everyday diagnostic of the problems of cultural, economic and environmental change as they shape intimate life. At once a lived historical account, a cartography of care relations, and a multi-sensory exploration of the intimate experiences of atmosphere and body, Tension puts forth a novel theory of distress, that inequality is often determined by who is made to feel, hold, and absorb distress.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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