New Books Network

The #MeToo revelations put a twenty-first-century stamp on the age-old story of women’s mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women’s stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women’s experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media’s stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women’s stories. Essays in the final section address the combination of inequality and resistance that defines women’s experiences in Hollywood.

Editor of book:

Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.”

Bio note of host

Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here
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In Making the Liberal Media: How Conservatives Built a Movement Against The Press (Columbia UP, 2026), A.J. Bauer examines the history of the idea of a “liberal media bias.” Rather than trying to show whether or not “liberal media bias” is an accurate description, Bauer shows how this idea has been an animating force for conservative political activists and media figures. Bauer shows the lineage of “liberal media bias” criticism going back to early leaders in the modern conservative movement and press, as well as the conservative and right-wing grassroots. In addition to promoting this idea of media bias, these early conservative media pioneers taught their audiences how to be media critics themselves, a tradition that is still practiced today.

A.J. Bauer is an Assistant Professor in the Department of Journalism and Creative Media at the University of Alabama.

You can find a transcript of the interview here.
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The Bible is arguably the world’s most influential book, but do we really know what it says? Every day across social media and in homes, businesses, and public spaces, people try to cut debate short by claiming that "the Bible says so!" However, they commonly disagree about what it actually does and doesn't say, particularly when it comes to socially significant issues. For instance, does the Bible say we should be on the lookout for an antichrist associated with the number 666? Does it say women shouldn’t wear revealing clothing? Does it say it’s okay to hit your kids?In The Bible Says So: What We Get Right (and Wrong) About Scripture’s Most Controversial Issues (St. Martin's Essentials, 2025), Dan McClellan leverages his popular "data over dogma" approach, and his years of experience in the academy and on social media, to lay out in clear and accessible ways what the data indicate the Bible does and doesn't say about issues ranging from homosexuality, abortion, and slavery to monotheism, inspiration, and even God's wife. The Bible Says So is an invaluable resource for our fractious times.

Interviewees: Dan McClellan is an award-winning public scholar of the Bible. He has over one million followers on social media and is a host on the Data Over Dogma Podcast. Dan received his PhD from the University of Exeter and is currently an honorary fellow at Birmingham University's Cadbury Centre for the Public Understanding of Religion.

Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Brooklyn Odyssey: My Journey out of Hasidism and Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism. Visit him online at ZalmanNewfield.com.
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In this NBN episode, host Hollay Ghadery speaks with Christine Estima about her novel, Letters to Kafka (House of Anansi, 2025). 

A sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská’s torrid love affair with Franz Kafka. In 1919, Milena Jesenská, a clever and spirited twenty-three-year-old, is trapped in an unhappy marriage to literary critic Ernst Pollak. Since Pollak is unable to support the pair in Vienna’s post-war economy, Jesenská must supplement their income by working as a translator. Having previously met her compatriot Franz Kafka in the literary salons of Prague, she writes to him to ask for permission to translate his story “The Stoker” from German to Czech, becoming Kafka’s first translator. The letter launches an intense and increasingly passionate correspondence. Jesenská is captivated by Kafka’s energy, intensity, and burning ambition to write. Kafka is fascinated by Jesenská’s wit, rebellious spirit, and intelligence. Jesenská and Kafka meet twice for lovers’ trysts, but can such an intense connection endure beyond a fleeting affair? In her remarkable debut novel, Christine Estima weaves little-known facts and fiction into a rich tapestry, powerfully portraying the struggles of a woman forced to choose between the roles of wife, lover, and intellectual.

CHRISTINE ESTIMA is an Arab woman of mixed ethnicity (Lebanese, Syrian, and Portuguese) and the author of the short story collection The Syrian Ladies Benevolent Society. She has written for the New York Times, The Walrus, VICE, the Globe and Mail, Chatelaine, Maisonneuve, the Toronto Star, and the CBC. Her story “Your Hands Are Blessed” was included in Best Canadian Stories 2023. She was shortlisted for the 2018 Allan Slaight Prize for Journalism and a finalist for the 2023 Lee Smith Novel Prize. Christine has a master’s degree from York University and lives in Toronto.
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In this intimate, yet simultaneously anthropological, exploration of the life of her maternal grandmother Pankajam (1911–2007), Kalpana Karunakaran achieves the remarkable: capturing the singularity of an exceptional woman, even as it situates her in a social universe shaped by the conventions of Tamil Brahmin orthodoxy. Through A Woman of No Consequence: Memory, Letters and Resistance in Madras (Context, 2026) Karunakaran conveys with clarity how the ‘utterly ordinary’ life of a ‘woman of no consequence’ (as Pankajam writes of herself), lived out largely within the confines of family and kin, was quite far from ordinary. The book draws extensively upon letters, glimpses of Pankajam’s life narrated through her thinly-disguised semi-autobiographical short stories that allowed her to ‘say the unsayable’ about love, intimacy and conjugality, and her autobiography, which she began writing in 1949 and kept writing till her last piece in 1995. What comes together is a riveting portrait of heartbreak and violence, yearning and delight, a housewife’s quest for intellectual growth and her talent for friendships across cultures and continents. In the final reckoning, A Woman of No Consequence is about the chequered trajectories of a newly-born nation as seen through the lens of its daughters—restless women forcing home and nation to reckon with their stubborn striving for self-actualisation.
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