New Books Network

Bukovina, when it has existed on official maps, has always fit uneasily among its neighbors. The region is now divided between Romania and Ukraine but has long been a testing ground for successive regimes, including the Habsburg Empire, independent and later Nazi-allied Romania, and the Soviet Union, as each sought to reshape the region in its own image. In this beautifully written and wide-ranging book Bukovina: The Life and Death of an East European Borderland (Princeton UP, 2025), Cristina Florea traces the history of Bukovina, showing how this borderland, the onetime buffer between Christendom and Islam, found itself at the forefront of modern state-building and governance projects that eventually extended throughout the rest of Europe. Encounters that play out in borderlands have proved crucial to the development of modern state ambitions and governance practices.Drawing on a wide range of archives and published sources in Russian, Ukrainian, German, Romanian, French, and Yiddish, Florea integrates stories of ethnic and linguistic groups—rural Ukrainians, Romanians, and Germans, and urban German-speaking Jews and Poles—who lived side by side in Bukovina, all of them navigating constant reconfiguration and reinvention. Challenging traditional chronologies in European history, she shows that different transformations in the region occurred at different tempos, creating a historical palimpsest and a sense among locals that they had lived many lives.A two-hundred-year history of a region shaped by the conflicting pulls of imperial legacies and national ambitions, Bukovina reveals the paradoxes of modern history found in a microcosm of Eastern Europe.
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Félix Nadar took the first aerial photograph in 1858, so the story goes. The evidence, Emily Doucet notes, is mixed. In Inventing Nadar: A History of Photographic Firsts (Duke UP, 2026), Doucet analyzes the historical and material production of the nineteenth-century Parisian photographer’s famous and numerous photographic firsts. Focusing on these oft-labeled groundbreaking elements of his career, she deconstructs Nadar’s legacy as a prime protagonist in the history of photography by interrogating the media techniques used to construct his invention narratives. Doucet highlights this highly mediated process as one that canonized novel applications of photography as discrete techniques with single authors and inventors. Looking to this process of mediation through the institutions and individuals that shaped Nadar’s archives, Doucet unpacks assumptions of Nadar as a master of early photography and shows how the medium is enmeshed in larger histories of media, science, and technology. The result is both a new account of Nadar’s place in photographic history and a critical study of how stories of innovation take shape.
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New York Times bestselling author Kimberly McCreight delivers a tour de force of character-driven suspense with her latest novel, Someone Else's Husband (Knopf, 2026), the story of two women whose secrets and desires entrap them in a deadly love triangle. You had to rely on the power of love. That he loved you enough not to do the thing that would break your heart. It was paper-thin ice on which to stake your survival. Gretchen Falk, a Park Avenue sophisticate born into great wealth and blessed with a storybook marriage, knows she lives a charmed life, and she’s not about to risk losing any part of it. That’s why she tried to convince Richard, her devoted husband and the father to their three children, not to join his old college friends on an expedition almost eight thousand miles away, to the imposing peak of Mount Kilimanjaro. Little did she know that the beautiful artist climbing alongside him might prove the far greater danger. Frankie Callahan’s dream of artistic success is within reach, with her career-making exhibition at a celebrated New York gallery only weeks away. If all goes well, the show will leave her financially independent, free of the tainted money that ties her to a past—and a man—she’s desperate to escape. To mark this new beginning, she is going to climb Kilimanjaro. But when she learns she’s the sole female accompanying a group of male friends, Frankie realizes that nothing about the trip will be as she expected. She certainly hasn’t counted on meeting anyone like the very charismatic, very rich, very married Richard Falk. By the time they descend—with one fewer in their group than when they began—they have lost more than they ever could have imagined. Now, less than two weeks after their return to New York, Frankie’s East Village loft is a blood-soaked crime scene, and Richard has been charged with her murder. It falls to Gretchen to figure how the life she so carefully constructed could have imploded so completely. There are only two things she knows for sure: she’s the only woman Richard has ever loved, and he would never hurt anyone. Someone Else’s Husband is the sweeping and suspenseful story of two women on a collision course with love—and with each other—in which no one is right and everyone is very, very wrong.
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What does doctoral supervision actually look like in contemporary academia?

In this NBN episode, Fredrik Saxegaard discusses the open-access book Doctoral Supervision Across Boundaries: Interdisciplinarity as Process and Practice (Scandinavian UP, 2026), co-edited with Mia Lövheim, and Geir Afdal.

The conversation challenges the traditional image of supervision as a private relationship between a supervisor and a PhD candidate. Instead, the book argues that supervision today is distributed across networks, institutions, peers, reviewers, research schools, and academic cultures.

We discuss:

Why interdisciplinarity complicates doctoral identity formation,

How Accountability Pressures Reshape Supervision,

The hidden curricula of doctoral education,

Writing and evaluation across disciplinary boundaries

Drawing on experiences from the Scandinavian RVS research school, the book offers a critical rethinking of supervision as a relational, collective, and institutionally embedded practice.

This episode will be particularly relevant to supervisors, doctoral candidates, academic developers, and anyone interested in the future of higher education.

Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands.
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From the mid-nineteenth century through the dust bowl years of the Great Depression, a new kind of migrant worker became a familiar sight in communities across America. The Hobo: A History of America's First Climate Migrants (Princeton UP, 2026) by Dr. Robert Suits traces the journeys of these homeless men and women, showing how hobo work was an adaptation to energy transitions and a harsh and unpredictable climate, and how the hobo played a central role in the histories of industrialization and westward expansion.Challenging common depictions of the hobo as a world-weary, bearded man in ragged clothes, Dr. Suits reveals how these wandering laborers were often fastidious and heartbreakingly young. Forever on the move due to economic hardship and climate disaster, they chased harvests and took seasonal jobs in industries like logging and mining. Too often they couldn’t find employment at all. Suits describes the difficult, dangerous, and highly unstable jobs they worked while shedding light on the hobo life and philosophy, from their techniques for stowing away on railroads to their unique blend of socialist, anarchist, and anti-work thought. He traces the emergence of the hobo to the advent of steam and the need for manual laborers in places where this new technology couldn’t reach and describes how a growing reliance on the internal combustion engine brought an end to hobo work.Drawing on oral histories, environmental data, and cutting-edge digital methods, The Hobo paints an unforgettable portrait of an eclectic group of wandering radicals, troublemakers, poets, and writers, demonstrating how their experiences upend some of our basic assumptions about how environments and technologies shape society.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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