New Books Network

In this episode of International Horizons, RBI acting director Eli Karetny sits down with political theorist Laura Field to trace the intellectual currents shaping today’s right — from Straussian thought at the Claremont Institute to Catholic integralism, the manosphere, and Trump-era populism. Using Plato’s Allegory of the Cave as a touchstone, they interrogate how philosophical radicalism becomes political strategy, why some thinkers return to the “cave” with prudence while others return with authoritarian blueprints, and what these debates mean for American democracy. Tune in for a lively, theory-steeped conversation that bridges political philosophy and contemporary conservative politics.
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Given the sometimes extraordinary politicization of culture, it is surprising that Sesame Street has gained acceptance and legitimacy in more than fifty countries. Sesame Street's global success raises two questions. First, how does a US icon like Sesame Street spread around the world, gaining acceptance as a local cultural product? Second, how does the nonprofit that created it, Sesame Workshop, and its partners around the world navigate cultural differences, manage conflicts, and construct shared collective representations to create Sesame Street programs that resonate with local audiences?

In Sesame Street Around the World: Culture, Politics, and Transnational Organizational Partnerships (Oxford UP, 2025), Dr. Tamara Kay answers these questions using data from seven years of intensive ethnographic fieldwork and 200 in-depth interviews with Sesame Workshop staff and international partners-including their real-time interactions-from seventeen countries within four regions around the world.

Dr. Kay argues that Sesame Workshop's secret is its engagement in coproduction, meaning it works with partners as a transnational team to create local Sesame Street programs together. Through coproduction, Sesame Workshop and its partners create new collective identities by constructing value to align their interests and exchanging complex cultural knowledge to both customize and build alliances. She traces the successive processes of coproduction, beginning with the imagination of the cultural product, to its disassembly, reconstitution, and dissemination. Coproduction privileges the creation of new knowledge that emerges from transnational interaction, and uses that new knowledge to create a hybrid cultural product. The Sesame Street case grapples with and illuminates culture in transnational interaction, providing insight into a range of other transnational organizational partnerships and different kinds of hybrid cultural products.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Punk Anarchism: An Anti-Politics of Resistance (Bloomsbury, 2026) is a radical critique of contemporary politics, offering an alternative framework rooted in anarchism, punk rock, dadaism, situationism and political nihilism.

Arguing that traditional approaches to political change are ineffective in the face of the climate crisis and the failures of liberal institutions, the book advocates for rejecting the possibility of meaningful political change within the existing political system.

Drawing on historical cultural movements like the Russian and Japanese nihilists of the 19th and early 20th centuries, Sean Parson calls for a politics of pure negation, centered on the destruction of the current social order, rather than its reform – advocating for a revolutionary politics that embraces resentment against the wealthy and rejects hierarchical power dynamics. Punk Anarchism asks: what if resistance were motivated by a sense of playfulness and enjoyment, rather than hope for a better future? Ultimately, Parson proposes an anti-theory of negation as a way to imagine political agency beyond traditional frameworks.

Sean Parson is Professor in the Department of Politics and International Affairs at Northern Arizona University, USA. They are the author of Cooking Up a Revolution: Resistance to Gentrification (2019) and the co-editor of four edited books includingRepresentations of Political Resistance and Emancipation in Science Fiction (2020).
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Mexico is among the most unique nations in the world, writes Northwestern University historian Paul Gillingham in Mexico: A 500-Year History (Atlantic Monthly Press, 2025). The country has several claims to fame in this regard - one of the first to abolish slavery, North America's first Black president, North America's only Indigenous president, and its only woman president. Gillingham explains the rich, complex, often bloody, and just as often inspiring history of this place from its early sixteenth century origins, into the turn of the twenty first century. Along the way, readers learn that much of what many Americans think they know about Mexico - a place of violence, drugs, and political chaos - is actually myth. In this sweeping account of Mexican history, the resilience and fortitude of the Mexican people shine through as a major theme in this important synthetic work.
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In this NBN episode, host Hollay Ghadery speaks with Brit Griffin about her novel, The Haunting of Modesto O’Brien (Latitude 46, 2025).

A gothic tale from deep within the boreal forest…

Violence and greed have intruded into a wild and remote land. It’s 1907, and silver fever has drawn thousands of men into a fledgling mining camp in the heart of the wilderness. Modesto O’Brien, fortune-teller and detective, is there too - but he isn’t looking for riches. He’s seeking revenge.

O’Brien soon finds himself entangled with the mysterious Nail sisters, Lucy and Lily. On the run from their past and headed for trouble, Lily turns to O’Brien when Lucy goes missing. But what should have been a straightforward case of kidnapping pulls O’Brien into a world of ancient myths, magic, and male violence.

As he searches for Lucy, O’Brien fears that dark forces are emerging from the ravaged landscape. Mesmerized by a nightmarish creature stalking the wilderness, and haunted by his past, O’Brien struggles to maintain his grip on reality as he faces hard choices about loyalty, sacrifice, and revenge.

Brit Griffin is the author of the climate-fiction Wintermen trilogy (Latitude 46) and has written essays, musings, and articles for various publications. Griffin spent many years as a researcher for the Timiskaming First Nation, an Algonquin community in northern Quebec. She lives in Cobalt, northern Ontario, where she is the mother of three grown daughters. These days, she divides her time between writing and caring for her unruly yard.
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