New Books Network

Marty Friedman is a multi-platinum recording artist and government-appointed Ambassador to Japan Heritage. He has written three books in Japanese and had long running columns in the Asahi Weekly, Nikkei Entertainment, Cyzo, Big Comic, Young Guitar, Guitar World and Burrn.

The show opens with a moving tribute to Ozzy Osbourne, formerly of Black Sabbath, who passed away on July 25, 2025. Friedman then turns to the reason for writing his book, co-authored with Jon Wiederhorn. He talks about the co-writing process and describes it as “putting his musical abilities into words.” His latest solo release, Drama, he calls his best and most romantic work to date — a largely orchestral album that stretches beyond his usual style.

He also reflects on the Japanese entertainment industry, the uniquely Japanese idea of heta-uma, idol music, and the role of “cuteness” in J-Pop. Producers such as Tsunku and Komuro Tetsuya play a key role in drawing out this unique appeal. J-Pop carries deeper cultural nuance than outsiders might assume. In addition, Friedman reflects on scandals, music managers ,and his first rehearsal with a J-Pop band.

Read our book review of Dreaming Japanese (Permuted Press, 2024) as reviewed by Stephen Mansfield. Subscribe to the Books on Asia podcast, and the Books on Asia newsletter featuring new releases, book reviews and the latest podcast episodes.
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Walter Benjamin (1892–1940) is widely considered one of the most creative cultural critics of the twentieth century. Esteemed for his literary acumen and capacious imagination, he developed a unique style of criticism―his friend Hannah Arendt called it pearl-diving―that sought out fragments of redemption in the ruins of bourgeois civilization.

In Walter Benjamin: The Pearl Diver (Yale UP, 2026), award-winning author Peter E. Gordon tells Benjamin’s story in a vivid and poetic style, inviting the reader to look beyond the image of Benjamin as a tragic figure of German-Jewish history and portraying him as a complex personality of unique and multifaceted gifts. Tracing Benjamin’s life from his Berlin childhood to his Parisian exile.

Abe Silberstein is a Ph.D. student in the joint program in History and Hebrew and Judaic Studies at New York University.
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The Gastronomica podcast returns to the air, bringing listeners new interviews with authors from the latest issues of Gastronomica: The Journal for Food Studies. In this episode, Alyssa James of Gastronomica’s Editorial Collective hosts award-winning writer and historian Camille Bégin for a discussion of “Chiang Mai 2015,” a creative nonfiction account of a family trip and a search for sustenance that becomes entangled with questions of illness, climate, and care. In her memoir of failed culinary tourism, a story set against the smoky skies of northern Thailand, Camille asks what it means to travel, to look for meaning, and to eat ethically. In conversation with Alyssa, Camille talks about how the haze shapes her story, reflects on the politics of culinary tourism, and shows how food can become a small anchor in times of crisis.

“Chiang Mai 2015” was published in the Spring 2025 issue of Gastronomica (25.1) and is available online here.

Camille Bégin is the author of Taste of the Nation: The New Deal Search for America’s Food (University of Illinois Press, 2016). Her personal essays have appeared in Gastronomica, Adelaide Magazine, and the scientific journal, Brain. She is currently writing a food memoir called Crumbs: A Trail of Taste and Illness. Website here

Alyssa A. L. James is an anthropologist and postdoctoral scholar at the USC Society of Fellows. Her current book project, Revival Grounds, examines coffee, heritage, and temporality in Martinique. Learn more here

Listeners can now find the Gastronomica podcast on the New Books Network here. Subscribe to Gastronomica’s podcast feed to stay updated on the newest episodes.
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Museums often served nationalist and imperialist interests in the past, but the primary force in the 21st century is the market. Museum franchising—exemplified by the Louvre Abu Dhabi—is one of the most visible cases of the increasing entanglement of art and museums with capital interests. Such projects are often touted as global enterprises diversifying the art world. Frequently, critics of these controversial projects question these claims and market influence.

The intersection of these two forces—increasing capitalization and moving toward inclusivity—creates a fundamental tension, and that is the subject of Beth Derderian's Art Capital: Museum Politics and the Making of the Louvre Abu Dhabi (Stanford UP, 2026). Focusing on the decade between the Louvre Abu Dhabi's announcement and its eventual opening, the book analyzes how major shifts away from the 19th- and 20th-century paradigm of culture-state representation play out in museums' and artists' everyday practices. Derderian traces the emergence of a new logic, wherein the ways that artists represent the state shift, as does the notion of what constitutes 'good art.' In addition, these intersecting forces spur preemptive erasures that neutralize and depoliticize difference for museum publics.

Drawing on ethnographic research with artists, curators, museum staff, gallerists, art teachers, and other arts professionals, this book analyzes the UAE art world as a microcosm of these massive, epistemic changes.

Beth Derderian is Assistant Professor of Modern Middle East Studies and Anthropology at the Crown Center for Middle East Studies at Brandeis University.
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Cameron Sullivan’s novel The Red Winter (Tor Books, 2026) follows Sebastian Grave, a centuries old monster hunter, recounting events that occurred in largely the woods of Gévaudan during the years leading up to the French Revolution. The story centers around a terrible beast that hunts the local people and has not been stopped by even the resources of the French crown itself. Sebastian is drawn in not just by the promise of slaying the creature, with whom he has something of a history, but also by his attraction to a young aristocrat, Antione, who Sebastian, for all his experience and better judgement, cannot quite seem to get over.

In this interview, Sullivan describes building a magic that feels deep and rooted to our world, the shadow of the French Revolution, and the challenges and excitement of turning historical legend into fantasy. He discusses the research process, queer relationships over time, and what we can and can’t know about the past. We also chat about the joys of footnotes and the importance of humor in the face of the horrific.

The Red Winter is a lush and complex novel full of longing and regret and it was so much fun discussing it with the author.
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