New Books Network

In this NBN episode, host Hollay Ghadery speaks with Leah Kim about her powerful book, Mom, Unfiltered: Maternal Mental Health and Finding Freedom Through Motherhood (Bloomsbury, 2026).

A deeply personal examination of the dire state of our maternal and postpartum care for mothers.For expecting and new parents, too often the care is so focused on a healthy baby that the mother's physical and mental needs are overlooked. Mothers face intense pressure to have the perfect birth plan, breastfeed with ease, and immediately bond with their baby. Unfortunately, these expectations can lead to anxiety, depression, and overwhelm. But it doesn't have to be that way. In Mom, Unfiltered: Maternal Mental Health and Finding Freedom Through Motherhood, Leah Kim explores her own pregnancy and early motherhood experience as a person of the global majority, the ways society fails new mothers, the mental health struggles of expecting and new mothers, the systemic neglect in care for mothers with marginalized identities, and how motherhood can be the inspiration for getting help and healing. Her story, enhanced with expert interviews, valuable resources, and the testimonies of other mothers, not only illuminates the impact of insufficient maternal care but also shows readers what can be done to improve care for mothers.Mom, Unfilteredis profoundly personal and brutally honest, yet it is ultimately deeply hopeful. It is about survival and growth, an invitation to move beyond our current social, cultural, and familial realities to support mothers in a meaningful way-physically, mentally, and spiritually.

Leah 수진 Kim is a storyteller, author, consultant, podcaster, and community organizer. She is a recovering yoga teacher and spent 10 years as Nike's Global Yoga Ambassador. Her first book "Mom, Unfiltered" will be published in April 2026.

About the host:

Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Learn more about Hollay at www.hollayghadery.com.
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In 1984, Paul Simon was at a professional and personal crossroads. His new marriage was failing and his career was in danger of stalling. He was forty-two, navigating a digital age, searching for inspiration in a scene driven by music videos, synthesizers, and drum machines.Driving around that summer, a bootleg cassette of “township jive”—the street music of South Africa—kept him company. Lent to him by a friend, it reminded Simon of the sound and the joy of the early days of rock and roll. He began to invent his own lyrics to the groove, and became drawn to the idea of recording with the musicians on that tape. But South Africa was in the thrall of a racist apartheid system, and with economic and cultural boycotts in place, such an undertaking was risky. He grew determined to find the right conditions to allow for a collaboration.Simon took a fateful trip to Johannesburg in 1985. It would turn out to be the first step on a musical journey that would lead him to New York, Los Angeles, Louisiana, and London, and eventually to the release of Graceland, a critical and commercial triumph, winning multiple Grammys, selling 16 million records, and spawning a five-year, worldwide tour.Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland (Atria Books, 2026) is the first book to tell the full story of Graceland, offering windows into Simon’s creative process, the technical innovations that brought his songs to life, the people and places that made the album possible, the forces that helped the album achieve mainstream reach, and the controversies that the music raised—and which remain today. It sheds light on a period when America opened its doors to the sounds and styles of Africa and other faraway lands.This is an informed, heartfelt celebration of Simon’s magnum opus, a recording forged in a tense cultural moment, but suffused with hope, change, and a sense of global connection.

Ashley Kahn is a Grammy Award–winning music historian, author, and producer. He cowrote Carlos Santana’s autobiography The Universal Tone, and has written books on such legendary recordings as Kind of Blue by Miles Davis and A Love Supreme by John Coltrane. He was a member of the Graceland tour production team, and tour manager for Ladysmith Black Mambazo. He teaches at New York University’s Clive Davis Institute for Recorded Music.

Ashley Kahn’s website and Instagram.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
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Examining how memory, intergenerational transmission, and kinship work together, Relative Strangers (U Toronto Press, 2024) sheds light on Romani life in Palestine. Arpan Roy presents an ethnographic portrait of Dom Romani communities living between Palestine and Jordan, zooming in on everyday life in working-class neighborhoods, and under conditions of perpetual war and instability. The book focuses on how Doms are able to sustain ethnic difference through kinship, even when public performances of difference are no longer emphasized – a kind of alterity that is neither visible by obvious markers like race or religious difference, nor detected by the antennas of the state. Drawing on long-term ethnographic fieldwork in Jerusalem, Ramallah, and Amman, Roy makes a case for such alterity for Romani people and other groups in the region. Analysing intimate ethnographic scenes through anthropological theories of kinship, psychoanalysis, social theory from the Global South, and more, the book reveals how alterity in the Middle East does not adhere to rigid identitarian categories.
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Democracy or Carbon Oligarchy?: Climate and Energy Politics between Crisis and Decarbonization (Palgrave Macmillan, 2026) tackles a critical question. Why has the world struggled so much to coordinate policy to address climate change, despite political and scientific consensus? Despite landmark agreements and expanding knowledge, emissions have fallen unevenly and progress has repeatedly stalled or reversed. Democracy or Carbon Oligarchy? explains that failure by focusing on domestic politics: how institutions distribute power, how interest groups exploit “access points,” and why countries with similar wealth and technology diverge. Moving beyond arguments about mere political will, it situates energy and climate outcomes within the institutional architectures of industrialized oil super-producers: the United States, Canada, the United Kingdom, and Norway. Shum advances a neopluralist theory of climate politics, arguing that policy is shaped by the strategic capture of institutional venues by carbon-intensive interests. He shows how separation of powers, federalism, party systems, and electoral rules configure opportunities for a de facto carbon oligarchy. By mapping where binding decisions are made and who can reach them, the book offers a generalizable framework for diagnosing blockages, explaining cross-national variation, and identifying leverage points for sustaining ambitious climate policy over time.
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American pop culture loves newsies. The children who bawled out headlines and sold newspapers on city streets in the late nineteenth and early twentieth centuries have been depicted countless times in movies, Broadway shows, books, music, and more, but somehow it’s only ever the stories of newsboys that are told. Scholarly literature too has focused mostly on boy newsies. Yet for nearly as long as there were newspapers in the United States, there were also newsgirls. Girl newsies were photographed, interviewed, studied, argued over, and eventually absorbed into the collective “newsboys” and forgotten.

Extra! Extra! A History of America's Girl Newsies (U Nebraska Press, 2026) by Dr. Autumn Lorimer Linford offers a corrective, demonstrating the importance of newsgirls as early news workers and as symbols of child labor and gender reform efforts. Sometimes younger than ten years old and from impoverished families, girl newsies were already vulnerable to exploitation from the newspaper publishing industry, which relied heavily on child labor during the “golden age” of journalism. However, the newsgirls of this period contributed much to news labor, and they were important to the discussions concerning childhood, child labor reform, and women’s changing societal roles. Properly integrating newsgirls into the history of newsies dismantles archetypes and enables a deeper understanding of child news labor.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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