New Books Network

A true dark comedy, Zach Cregger’s Weapons (2025) combines a satire of suburbia, a study of addiction, and the satisfaction of a fairy tale. The film works so well because it takes its time to develop interesting characters to the point where the viewer occasionally forgets the horror-movie label and is drawn into the human story of regular people trying to cope with terrible events. Aunt Gladys is terrific, but she’s only part of what makes Weapons so compelling.
Bumper music by John Deley.
Weapons works exactly like one of Grimms’ fairy tales; you can find a handsome edition of them here.
Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Mike Takla is on substack at The Grumbler’s Almanac.

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In this episode, I speak with Dr Amy King of Bristol University about her book, The Afterlife of a Fascist Murder: Giacomo Matteotti in Myth and Memory, 1924–2024, published by Cambridge University Press in 2026.
The year 2024 marked a century since socialist leader Giacomo Matteotti's assassination. Widely commemorated in Italy, he's often remembered within a national narrative of antifascist resistance. But how was this narrative built and how has the far right responded? This Element traces the construction and mobilisation of Matteotti's memory over the last century, analysing the role of grief in the early antifascist movement, and identifying the role memory played in bringing together Allies, partisans and political parties during the construction of the democratic Republic. Based on primary sources from international archives, it also adds a transnational lens to the study of a figure so often thought of in national terms. The Element closes by examining how far-right parties whose lineage traces back to Mussolini's regime have engaged with the afterlife of a man whose murder is an evergreen reminder of the centrality of violence to Fascism in its earliest days.
Dr. Amy King is a Senior Lecturer in Modern European History at the University of Bristol, UK. She is the author of The Politics of Sacrifice: Remembering Italy’s Rogo di Primavalle, which examines the memory of a 1973 arson attack on a far-right family in Rome during the Years of Lead. The book won the First Book Prize from the American Association for Italian Studies in 2024 and was published in Italian by Donzelli last year.
Chris Millington is Professor of Modern European History and lead of the Histories and Cultures of Conflict research group at Manchester Metropolitan University, UK. He is the author of eight books including Murder in Marseille: Right-Wing Terrorism in 1930s Europe ((Manchester University Press, 2025), The Invention of Terrorism in France, 1904-1939 (Stanford University press, 2023), and France in the Second World War Collaboration, Resistance, Holocaust, Empire (Bloomsbury Academic, 2020).

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In this NBN episode, host Hollay Ghadery speaks with Malon Edwards about his book, If Wishes Were Obfuscation Codes (Fireside Fiction Company, 2023).
“Electric Resurrection. Born again perfection. The six-zero correction.”

For the last decade, Malon Edwards has been spinning out a world where humans have conquered death but still haven't bothered to take care of the living. Where resurrection is the ultimate commodity—if you're rich enough, powerful enough, and white enough to buy in.

If Wishes Were Obfuscation Codes and Other Stories collects 10 cyberpunk dispatches, including a brand-new, epic rap novella. On offer is a guided tour of an independent Chicago, a beacon of Black excellence that is done with the ever-hostile State of Illinois showing its ass.

Your guides are a little rough around the edges: hackers and assassins, thieves and grieving parents, elders and teenagers. Don't fret. These people will take good care of you, so long as you mind yourself.

Welcome to the Sovereign State of Chicago.
About Malon Edwards:
Born and raised on the South Side of Chicago, I now live in the Greater Toronto Area. I write mostly short stories with a speculative fiction bent - horror, fantasy, steampunk, science fiction - but more often than not, you'll find a blend of genres in my writing.
Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and is a 2026 Giller Prize finalist. Her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Hollay was also featured on the cover of issue 10 of The Ampersand Review. Learn more about Hollay here.

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A geopolitical and legal history of the bestselling videogame Tetris—the stunningly successful game that began in a Soviet research lab monitored by the KGB. Tetris—the game that would take the world by storm—was formally introduced to the West in 1987, at a time when Soviet technology exports were minimal and the Berlin Wall was still standing strong. Far from being a capitalist cultural product, the game had actually been designed in a Soviet computer lab tightly monitored by the KGB, at a time when Ronald Reagan referred to the USSR as the “evil empire.” So, how did Tetris jump the wall to become such a blockbuster? And why does a US company, The Tetris Company (TTC), now own the game, when it was the property of Mother Russia? Why has TTC been able to monopolize both the shape of the pieces which predated Tetris and the very concept of an electronic puzzle game with falling pieces, which flies in the face of traditional copyright law? Why and how have Soviet socialists morphed into hardcore capitalists? In Soviet Blocks: The Bizarre Puzzle of How Tetris Embraced Western Values (MIT Press, 2026), Julien Mailland answers these questions and more, explaining the fascinating history of Tetris’ commercial success as a story of two systems radically opposed in histories, cultures, economics, and politics.
Rudolf Thomas Inderst (*1978) enjoys video games since the early 1980s. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds three PhDs in game studies (LMU Munich, University of Passau & University of Vechta). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm HNU, Germany, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.

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What is Russia? For two centuries, observers inside and outside the country have tried to answer that question, and most of them have looked west. The familiar story holds that Peter the Great pulled a backward Muscovy toward Europe and that Catherine the Great finished the job by declaring Russia a European state.
In The Steppe and Its Empires: The Russian Empire and Its Eurasian Counterparts (Yale UP, 2026), Professor Michael Khodarkovsky looks south and east instead. He argues that Russia is best understood as a hybrid Eurasian empire, shaped as much by the steppe frontier as by Europe. He places Muscovite and Romanov practices alongside those of the Ottoman, Safavid, Mughal, and Qing empires, all heirs in different ways to the political world the Mongols built.
Moving chapter by chapter, Khodarkovsky shows how these empires imagined their rulers as universal monarchs. He traces how they used treaties, hostages, and tribute to bind frontier peoples, often with each side understanding the relationship very differently. He also shows how they drew on elites from conquered peoples to govern, and how they took part in a vast Eurasian slave trade that until the eighteenth century was larger than the Atlantic one. He follows how they approached law, including how the Russian Empire governed the legal and religious lives of its Muslim subjects, and how all of these empires were built above all to wage war. Along the way, he argues that Russia's rulers were in some respects less restrained than their Ottoman or Qing counterparts, and that the deep structural break with the steppe inheritance came not with Peter but with the Great Reforms of the 1860s.
In our conversation, we talk about how the book grew out of Khodarkovsky's decades of work on Russia's frontiers, from the Kalmyk steppe to the North Caucasus. We also discuss what the comparison reveals that a Russia-only story cannot, and where the book sits in today's debates about Eurasianism and about Russia as a colonial empire.

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