New Books Network

The happier the teacher, the better the learning experience--for instructor and student alike. With this equation at its core, The Joyful Online Teacher: Finding Our Fizz in Asynchronous Classes (U Oklahoma Press, 2026) provides practical guidance for making distance learning infinitely more enjoyable and effective, and for improving the online teaching experience in asynchronous classes that often take place in Learning Management Systems (LMSs) like Canvas or Blackboard Learn, and where instructors and students rarely interact in real time, contributing to low completion rates. One of the most pervasive challenges in distance learning is the absent online instructor; and one clear reason for this problem is the often unsatisfying nature of teaching online. A leading voice on online education, Flower Darby draws on the sciences of learning, emotion, and motivation, three decades of her own teaching, extensive research on online student experience, and the stories of joyful online teachers to present concrete tips for making online teaching more rewarding. The key, Darby suggests, is learning to love teaching online. To that end, her book offers instructors accessible, inspiring, common-sense hacks for connecting with students, finding passion, navigating the structural inequities of higher ed, and more--all with a focus on building rapport and relationships, the central ingredients of happiness and satisfaction. These time-tested strategies and hard-won insights promise to help online teachers find meaning, purpose, and, yes, joy in their work--and, consequently, to fulfill the enormous, largely untapped potential of online education.
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Since the dawn of our species, people all over the world have gazed in awe at the night sky. But for all the beauty and wonder of the stars, when we look with just our eyes we are seeing and appreciating only a tiny fraction of the Universe. What does the cosmos have in store for us beyond the phenomena we can see, from black holes to supernovas? How different does the invisible Universe look from the home we thought we knew? In The Invisible Universe: Why There's More to Reality than Meets the Eye (Simon and Schuster, 2021) Dr Matt Bothwell takes us on a journey through the full spectrum of light and beyond, revealing what we have learned about the mysteries of the Universe.This book is a guide to the ninety-nine per cent of cosmic reality we can’t see – the Universe that is hidden, right in front of our eyes. It is also the endpoint of a scientific detective story thousands of years in the telling. It is a tour through our Invisible Universe.
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A bracing account of how our current planetary crisis emerged from the worst cataclysmic destruction in human history, which Clifton Crais terms the Mortecene—the killing age.

We are used to speaking of the Anthropocene and the outsized impact humans have had on the planet. But we sometimes lose sight of a fundamental truth at the heart of modern world history: the legacy of human predation, slavery, and imperialism that has devastated the natural world and led us to our present moment. As historian Clifton Crais shows in this magisterial work The Killing Age: How Violence Made the Modern World (U Chicago Press, 2025), the period that we most associate with human progress—which gave us the Enlightenment, the rise of democracies, the Industrial Revolution, and more—was at the same time catastrophically destructive.In this bracing, landmark book, Crais urges us to view the growth of global capitalism between 1750 and the early 1900s not as the Anthropocene, but as the Mortecene: the Killing Age. Killing brought the world together and tore it apart, as profiteering warlords committed mass-scale slaughter of humans and animals across Africa, Asia, and the Americas. The newfound ease and profitability of killing created a disturbing network of global connections and economies, eliminating tens of millions of people and sparking an environmental crisis that remains the most urgent catastrophe facing the world today.Drawing on years of scholarship and marshaling myriad sources across world history, The Killing Age (University of Chicago Press 2025) turns our vision of past and present on its head, illuminating the Mortecene in all its horror—how it shaped who we are, what we value and fear, and the precarious present we inhabit today.

Our guest is Professor Clifton Crais, a Professor of History at Emory University

Our host is Eleonora Mattiacci, an Associate Professor of Political Science at Amherst College. She is the author of "Volatile States in International Politics" (Oxford University Press, 2023).
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Under Western Eyes: Vulnerable Minorities and the Russian State in New Cold War Cultures (Academic Studies Press, 2025) examines the New Cold War between Anglophone Western and Russian media, focusing on its coverage of LGBTIQ+ topics and representations of Russian femininity, masculinity, racial and gender diversity, and disability. It interrogates how the Anglophone media constructs images of vulnerable bodies and groups in Russia, juxtaposing them with the vengeful state and the powerful figure of Putin. These media discourses delineate and unify liberal values as American and Western and contrast them with "backward" Russian values. Paradoxically, in its endeavor to accentuate American dominance and its role in global affairs, various news outlets and entertainment media amplify homophobic, heteronormative, and racist narratives stemming from Russian sources and lend support to Putin's self-portrayal as a formidable opponent to the West. While the West expresses outrage at Putin’s criminalization of LGBTIQ+ activity, it draws on homophobic language to mock his shirtless horse-riding and “bromance” with Trump; the West condemns Russia's oppression of women, yet peddles the Orientalist idea of the "Slavic Femme"―that is, the hypersexualized trickster.
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In U.S. Militarism and the Terrain of Memory: Negotiating Dead Space (Taylor & Francis, 2024), John Bechtold examines how the US military understands information and the media as a contested terrain. Focusing on the assaults on the Iraqi city of Fallujah in 2004, Bechtold shows the efforts the US military went through to make sure it was able maintain control over the battles’ narrative. This effort is more than public affairs and trying to shape how others understand the operations. Just like the military will fight over physical terrain, Bechtold argues that the military understands the information space and the news media as places of contestation that it must work to control. Using examples ranging from official memorialization efforts by the military to Luis Sinco’s photograph of James Blake Miller (the “Marlboro Marine”) to Gary Trudeau’s Doonesbury, this book shows how the assaults on Fallujah are remembered in US military history. Moreover, Bechtold shows how the military set the conditions for the Battle for Fallujah to remembered.

You can find a transcript of our interview here.
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