New Books Network

In this NBN episode, host Hollay Ghadery speaks with YA author Emily De Angelis about her acclaimed novel, The Stones of Burren Bay (Latitude 46 Publishing, 2024).

In a tragic car accident, 15-year-old Norie loses her father while her distant mother is injured. Her prized possession, an antique artist’s box that traveled from Ireland with her great-great-grandmother, is destroyed along with her deep connection to her art. As Norie grapples with her self-identity, obscured by grief and anger, she and her physically and emotionally fragile mother are forced to relocate. With no other relatives to rely on, they call on the kindness of her mother’s oldest friend Dahlia and her daughter Wil, who run the Jolly Pot Tearoom and Burren Bay Lighthouse Museum on Manitoulin Island. Dahlia introduces Norie to ancient Irish Celtic spiritualism and opens the thin veil between the past and present where Norie encounters the echo of a century’s old spirit, Oonagh. Through Oonagh’s own story Norie comes to terms with her father’s betrayal and death and rediscovers her passion for art. As her mother’s emotional wounds reach a crisis, Norie realizes they must face their guilt and grief together in order to heal and become reunited as mother and daughter.

Emily De Angelis comes from a long line of visual artists, musicians, and storytellers. She was born in Sudbury, Ontario where she lived and taught special needs students for 30 years. A graduate of the Humber School of Writing, her western and Japanese-style poems as well as short stories have been published in various anthologies. The Stones of Burren Bayis her first YA novel. Emily now lives in Woodstock, Ontario while spending summers on Manitoulin Island.
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The Power of Publishing in Early Modern Tibetan Buddhism (Lexington Books, 2025) is a rich exploration of the history of Tibetan books during the late seventeenth and early eighteenth centuries. Looking at this ‘golden age’ of book production, Benjamin Nourse focuses on two core topics: What was driving Tibetan publishing in the eighteenth century, and what happened as a result of that growth? How should we understand Tibetan Buddhist ideas and practices related to religious books?

Through individual chapters on publishing in Lhasa, Qing Beijing, Derge, Chone, and Labrang, Nourse shows how Tibetan books operated simultaneously as religious objects, political tools, and markers of cultural authority. Across each, we see books being used in different ways: as a way of cementing the authority of the Fifth Dalai Lama, as part of Beijing’s emergence as a major center for Tibetan Buddhist publishing, and as objects that people engaged with through reading, chanting, translation, and ritual practice.

This book should naturally appeal to those interested in Tibetan Buddhism, religion, and early modern Asia — but it is also a valuable contribution to book history, print culture, and the study of how the production of books can shape political authority and religious practice.
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Between
the fifteenth and early seventeenth centuries, European painting
underwent a profound transformation as artists increasingly painted on
canvas instead of wood or walls. Nowhere was more important to this
shift than Venice, where painters experimented with canvas with
remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton
University Press, 2026), Dr. Cleo Nisse investigates why Venetian
artists adopted canvas and how it revolutionized their art between 1400
and 1600. Intertwining approaches from art history and art
conservation, and
featuring stunning new photographs that show details as never before,
the book presents groundbreaking research based on close study of
Venetian artworks, archival sources, art-making treatises, and early
modern art criticism. It sheds new light on the materiality of early
modern canvas, its production and supply, and the influence of climate
on its use. The book offers fresh interpretations of iconic works and
important concepts such as pittura di macchia and non finito, and
demonstrates how canvas contributed to the radical new style of painters
such as Titian, Tintoretto, and Veronese. But above all else, it shows
how canvas changed the making and meaning of paintings. 

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 
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Why has Russia's military struggled to adapt to the challenges of contemporary warfare? Despite years of attempts to improve its military capabilities, Russia's full-scale invasion of Ukraine in 2022 revealed a crippling lack of skill, discipline and equipment. Non-material factors, in particular the power struggle between military and civilian leaderships, have hindered reform of its armed forces: with officers dominating defence policy, the Kremlin has struggled to implement the necessary changes. In Civil-Military Relations in Russian Defense Policymaking (Oxford UP, 2026) Kirill Shamiev explores the political reasons behind Russia's poor military preparedness for the war in Ukraine. He demonstrates how a seemingly obedient military has frequently blocked civilian reforms, taking advantage of weak oversight mechanisms. The Kremlin's efforts to centralise control and make the armed forces personally accountable to President Vladimir Putin harmed institutional learning, cementing a conservative civil-military status quo. While this protected the military from civil society interference and ensured Putin's autocratic rule, it ultimately limited the pace and scope of change. Analysing three cases of reform between 2000 and 2021,Imperfect Equilibrium offers critical insights into the relationship between civilian control and military effectiveness in Russia. Drawing on extensive qualitative and quantitative evidence--including interviews, parliamentary speeches, media reports and surveys--it shows how unchecked autonomy can undermine military development, even in authoritarian contexts.
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In her latest book, Sanctuary People: Faith Based Organizing in Latina/o Communities (NYU Press, 2024), Dr. Gina Perez explores sanctuary practices in Ohio, locating them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Pérez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status.Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith.

Dr. Gina Perez is a cultural anthropologist and chair of the Department of Comparative American Studies at Oberlin College. She is the author of two award-winning books—The Near Northwest Side Story: Gender, Migration and Puerto Rican Families (2004, University of California Press) and Citizen, Student, Soldier: Latina/o Youth, JROTC and the American Dream (2015, New York University Press). Pérez's research interests include Latinas/os, youth, militarism, gender, migration, urban ethnography, and faith-based organizing. Her new project focuses on sanctuary movements and multiethnic faith-based organizing among Latina/o communities in Ohio.
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