The Exchange | Long-form interviews from the New Statesman

Guy Standing is a British labour economist best known for coining the term "precariat" to describe the growing global class of people living with unstable employment, mounting debt, and chronic insecurity.

Standing’s latest book, Human Capital, explores how the education system has been corrupted and privatised.

He joins Oli Dugmore to discuss this, as well as how his concept of the “precariat” differs from Marx’s “proletariat”, and how a bold, progressive politics must flourish to combat the rise of authoritarianism.
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Charleston Festival is running until May 25. Find out more here.

Ten years on from the referendum that redirected the course of British politics, the New Statesman's editor Tom McTague is joined by Caroline Lucas, Anand Menon and Marina Wheeler to consider how we should think about our relationship with Europe.

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Eric Schlosser is one of America’s foremost investigative journalists, writing about everything from the prison system to nuclear weapons, exploring the hidden systems underpinning modern life.

25 years ago, he set out to investigate the economic model behind one of America’s most recognisable industries: a system built on low-paid workers, dangerous conditions and the exploitation of migrant labour.

He joins Oli Dugmore to discuss America’s complicated relationship with McDonald's, the rise of fast food as both a cultural symbol and an economic system, and how Britain seeks to replicate this.

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Rather than a relic of the past, Mary Beard sees the classical world as a powerful tool for understanding the present.

It's an idea she has explored in over twenty books on ancient history and numerous documentaries on the BBC and elsewhere, all of which have made her Britain’s best known classicist.

She joins culture editor Tanjil Rashid in the studio.

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Mary Beard's new book Talking Classics: The Shock of the Old is available now.
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In 2011, Ben Lerner stormed onto the scene with his debut novel, Leaving the Atocha Station, a winning blend of low comedy and high art. He has since firmly established himself as one of America’s most acclaimed novelists and is a leading voice in so-called autofiction. Now he returns with his fourth novel, and it may be his most profound yet.

In Transcription, Lerner turns his mind to the nature of art, and of ageing. It’s a novel about generations, of growing children, and dying forebears, and the way the secrets and gifts of life and art move from one era to the next.

It’s also a novel about technology, and our increasing reliance on it, the way it shapes our speech, our thoughts, our memories and even our conceptions of ourselves.

In this episode, Tanjil Rashid sits down with Ben Lerner to talk about how we record our conversations, why novels may matter even more in the age of AI, and - in his words - the bankruptcy of political speech.
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