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HDTV and Home Theater Podcast

HT Guys
HDTV and Home Theater Podcast
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  • Podcast #1226: What is Automatic Content Recognition (ACR)?
    On this week's show we have an essay from one of our listeners on why he wants to stick with his DVR over streaming. We also take a deep dive into Automatic Content Recognition and how to turn it off on your smart TVs. As usual we also read your emails and take a look at the week's news. News: Disney pulls channels from YouTube TV as carriage deal expires DIRECTV now offering the Disney Bundle free to select customers TV Set-Top Box Losing Market Dominance Please support Movember and enter to win great prizes from Bright Side Home Theater Movember Raffle — Bright Side Home Theater Swimming against the Stream - An essay from Jorge Beltran  I know I will sound old and swimming against current, but I would like to go back to my world where we had our cable subscriptions, DVR and Netflix.  Simple, vs having to manage 5-7 subscriptions to watch what we want at a cost we can pay. The proliferation of streaming services is turning out to be a way for content owners to extract more value from customers and significantly increase the amount of work customers have to do to find and track the content we want to watch.  Even sports.  Furthermore, it has backfired to content producers, with less opportunity to monetize content, driving them to look for economies of scale again.  I follow or used to follow La Liga, Premier League Soccer, ski, college football, and formula 1 racing. Back in the day I knew what channel carried all of these sports on my cable line up, would set it to record on my DVR and done.  I could watch it when I wanted and where I wanted since I could access my DVR from anywhere but the plane.  Netflix was just growing and buying "older" content from the major networks and allowed us to binge watch old series we had missed.  Some new exclusive content was coming out and that made paying the 10 - 12 $/mo a good value. Fast forward to today: The best games of Premier League have been taken off the over the air or regular cable channels are now behind a Paramount or someone else's paywall.  Why am I going to pay for access to content that is mostly CBS that I can get over the air?.  Worst of all, you can not skip commercials when you stream this content nowadays.  You can't DVR the content and skip the commercials. I have lost track of who is now airing La Liga, but last time I checked was behind some other streamer.  Fubo has a lot of soccer but is now super expensive too.   Conclusion:  I have stopped following La Liga and Premier League.  My enthusiasm for good Futbol has gone down tremendously.  I turned my eyes to college football and Formula 1.  The worst part is that now I fear the same is going to happen with College Football, moving from free over the air or in basic cable channels to some exclusive need-to-pay streaming service.  You guys praised Formula 1 going to Apple.  I dread it!!! I do not pay for Apple TV(plus or not plus) and I catch Formula 1 over ESPN.   Does it mean I will have to drop ESPN, that gives me other content and add AppleTV?  If I were an NFL fan I would have lost it. Some content is on Amazon, other in the different networks or streamers.  I do not know how much you have to pay to be able to watch the NFL consistently.  Call me old school.  I still have a cable service that gives me the right to HBO, ESPN, Fox, and the likes.  I can watch and record all the related content in Hulu from the major networks. I only keep paying for Netflix that I see as a premium channel (like paying for HBO back in the day).  Rationale - we get a lot of exclusive content there.  I only keep the Disney/Hulu bundle cause it comes free with my wireless bill. And Amazon Prime (now with commercials) free for the shipping.  But I barely watch Primer or Hulu cause I can't stand the commercials! In a world with many streamers, the economies of scale enjoyed by bundling content in cable packages have been lost and thus it costs more per viewer for content owners to create and distribute given the less # of eyeballs.  Yes, it sounds counter intuitive, but that translates into higher bills for consumers, through different bills but when you add it all up, it has to be more expensive, no way around it.  The positive is more content and innovation for sure.  You can definitely find more quality content.  But I foresee more partnerships coming to allow the industry to benefit from economies of scale and be able to distribute the cost of expensive content through more subscribers / viewers.  Or they will have to continue to increase our subscription bills.  I listened to an interview recently with a Hollywood producer detailing how cost efficient they have to be nowadays to be able to turn a profit on content produced given the lower number of ultimate viewers. This is a good thing, do not get me wrong.  But my point is we are coming full circle and a lot of inefficiencies have been introduced in the content value chain and made the experience more time consuming and difficult for viewers in the process.  I think the industry has shot itself on the foot.  Content that used to be free over the air is now behind a paywall and ALSO with commercials.   Apologies from my broken record Long live my DVR! Jorge What is Automatic Content Recognition (ACR)? Automatic Content Recognition (ACR) is built into most smart TVs (Samsung, LG, Vizio, Roku, Fire TV) and silently identifies everything you watch via your smart TV or any attached device via HDMI. It monitors your streaming, cable, and physical media.  It will even identify any ads you watch. It grabs screen samples, sends them online, and feeds data to manufacturers, streamers, and advertisers for recommendations, targeted ads, and ratings.  Usually on by default, it needs the internet to work. Privacy groups like the EFF warn it tracks your habits without clear ongoing notice. How Does ACR Collect Data from Your TV Viewing? ACR operates passively and continuously (or at set intervals) while the TV is on and tuned to a channel or app.  Here's a step-by-step breakdown of the process: Content Sampling: The TV's built-in software periodically "grabs" a short clip or snapshot of the audio, video, or both from what's currently displayed on the screen. This could be every few seconds or minutes, creating a digital "fingerprint" rather than storing full video. For example: Video fingerprinting: Analyzes pixels, colors, or scene changes (similar to how Shazam identifies songs). Audio fingerprinting: Listens for sound patterns in the broadcast. Watermarking: Detects invisible digital markers embedded in content by broadcasters or studios. This sampling works even for non-smart inputs, like cable or gaming consoles, because it captures whatever is output to the screen. Local Processing: The TV processes the sample on-device to generate a compact fingerprint. Raw clips aren't stored long-term on the TV itself—the data is anonymized to protect bandwidth and privacy (though critics argue these can still be re-identified when combined with other data like your location or device ID). Database Matching: The fingerprint is sent to the manufacturer's cloud servers where it's compared against a massive reference database. This database is built by: Monitoring live TV broadcasts in real-time via data centers. Cataloging known content like shows, movies, ads, and even timestamps for commercials. Matches reveal details such as the program title, channel, duration watched, and ad exposures. Data Aggregation and Transmission: Matched data is aggregated with metadata like your TV's IP address, viewing time, and household size. It's then used or shared: Internally for features like "fewer repetitive ads" or recommendations. With third parties like advertisers and Nielsen for ratings and for cross-device targeting which means you'll see the same ad on your phone after TV exposure. The entire process is designed to be invisible and efficient, running without impacting TV performance noticeably. Why Is This Data Collected? Personalization: To suggest shows/movies based on what you've watched. Advertising: Measures ad views for pricing, retargets viewers across devices, and optimizes campaigns. Measurement: Provides device-specific viewership stats, replacing outdated panel-based surveys. TV Manufacturers Using Automatic Content Recognition (ACR) for Data Collection Manufacturer ACR Usage Details How to Disable (General Steps) Samsung Uses built-in ACR on Tizen OS smart TVs to track viewing behavior, including programs, ads, OTT apps, and gaming. Data supports ad retargeting and is used internally for recommendations. Go to Settings > General > System Manager > Samsung Account > Privacy > Viewing Information Services > Toggle off. (10-37 clicks; also opt out via Samsung account online.) LG Integrates ACR on webOS TVs to fingerprint video/audio for viewing history and ad targeting. Captures screenshots every 10 milliseconds in some models. Settings > All Settings > General > System > Additional Settings > Live Plus > Toggle off. (Buried in menus; check privacy controls.) Vizio Owns Inscape, which licenses ACR data from its SmartCast TVs. Historically sold data to third parties; now requires opt-in after 2017 FTC settlement. Settings > Privacy & Security > Smart Home > Viewing Data > Limit Ad Track > Toggle off. (Opt out during setup or later.) Sony Employs ACR on Google TV/Android TV models to collect viewing data for personalization and ads, often via third-party integrations like Samba TV. Settings > Privacy > Automatic Content Recognition > Toggle off. (Varies by model; check Google account privacy if linked.) Roku (powers TVs from TCL, Hisense, Philips, Sharp) "Smart TV Experience" feature uses ACR on Roku OS to track content across linear TV, streaming, and devices. Data shared for ads and measurement. Settings > Privacy > Advertising > Smart TV Experience > Toggle off. (11-24 clicks; not on Roku sticks, only TVs.)  
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  • Podcast #1225: Top User Rated Original Movies per Streamer
    On this week's show we identify the top IMDB user rated original movies per streamer. We also read your emails and take a look at the week's news. News: Classic TV props fetch $3.17M Netflix feature lets you decide what happens next, live 'High Potential' Is First 10 p.m. Drama to Hit No. 1 For the Fall Since 'ER' in 1999 Other: Explaining the magic yellow first-down line · The 42 Frndly TV Your Smart TV's HDMI Port Is Spying On You! The Last Frontier Top User Rated Original Movies per Streamer Last week we ran down the top streamer's price histories and at one point I (Ara), said that Amazon really didn't have many movies worth watching but since it came included with Prime shipping who cares. So this week I wanted to see what Amazon Original Movies were available and how they rated on IMDB. This did not include TV series like Reacher, Terminalist, etc. I just wanted to see if there was something I was missing. Then I expanded it to all the streamers we talked about last week and thus we created a list of the highest rated original movies from each streamer as rated by viewers on IMDB. Note the list goes from lowest to highest. Paramount+ Hunger Ward (2020) with a rating of 7.1/10. This short documentary, directed by Skye Fitzgerald, explores the Yemeni Civil War's famine through the work of two female health workers at therapeutic feeding centers for malnourished children. It premiered on Paramount+ in 2021 and was nominated for an Academy Award for Best Documentary Short Subject. Hulu Good Luck to You, Leo Grande (2022) with a rating of 7.2/10 based on over 34,000 user votes. Directed by Sophie Hyde and starring Emma Thompson as a widowed retiree exploring her sexuality with a young sex worker (Daryl McCormack), it's a witty and intimate comedy-drama praised for its honest take on aging, desire, and vulnerability. Peacock Psych 3: This Is Gus (2021) with a rating of 7.5/10 based on over 5,500 user votes. This comedy-mystery TV movie, directed by Steve Franks, serves as the third installment in the Psych film series and follows fake psychic detective Shawn Spencer (James Roday Rodriguez) and his best friend Burton "Gus" Guster (Dulé Hill) as they investigate Gus's bride-to-be's past amid wedding chaos, all while Lassiter (Timothy Omundson) faces career uncertainty. It's praised for its sharp humor, heartfelt moments, and nostalgic callbacks to the original USA Network series. Netflix Marriage Story (2019) with a rating of 7.9/10 (from over 380,000 votes).  Directed by Noah Baumbach, this poignant drama follows a stage director (Adam Driver) and his actress wife (Scarlett Johansson) as they navigate a grueling divorce, exploring the emotional toll on their family and creative lives. It received critical acclaim for its sharp screenplay, authentic performances, and raw depiction of marital breakdown, earning six Oscar nominations including Best Picture. Apple TV+ Wolfwalkers (2020) with a rating of 8.0/10 based on over 43,000 user ratings. This animated fantasy adventure, directed by Tomm Moore and Ross Stewart, follows a young hunter's daughter who befriends a girl from a wolf-shifting tribe in 17th-century Ireland. It stands out for its hand-drawn animation, themes of friendship and freedom, and cultural folklore elements, earning an Oscar nomination for Best Animated Feature. Amazon Prime The Handmaiden (2016) with a rating of 8.1/10 from nearly 195,000 votes. Directed by Park Chan-wook and adapted from Sarah Waters' novel Fingersmith, this erotic psychological thriller is set in 1930s Japanese-occupied Korea. It follows a con artist, a pickpocket disguised as a handmaiden, and a wealthy heiress in a tale of seduction, betrayal, and revenge told across three perspectives. Amazon Studios acquired U.S. distribution rights after its 2016 Cannes premiere, making it an exclusive Prime Video original. Its high rating comes from praise for its intricate plot, stunning visuals, and strong performances by Kim Min-hee, Kim Tae-ri, and Ha Jung-woo. For comparison, other top Amazon originals include Manchester by the Sea (7.8/10), Sound of Metal (7.7/10), and The Big Sick (7.5/10).  
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  • Podcast #1224: Streaming Price Hikes: A Historical Look
    On this week's show we look at the streamers and their pricing history. Are they keeping up with inflation or are they seeing how far they can keep raising prices. We also read your emails and take a look at the week's news. News: Apple TV Revs Up to Compete, For Real, In Streaming 86 Years Ago NBC Made History with First Televised Pro Football Game in 1939 HBO Max raises prices on all plans while WBD reevaluates future Other: Roomie Remote Streaming Price Hikes: A Historical Look Netflix Netflix has raised prices multiple times since launching its streaming service in 2007, with increases tied to content investments and competition. The service now offers four tiers: ad-supported Standard with Ads, Basic (ad-free, one screen), Standard (ad-free, two screens), and Premium (ad-free, four screens, 4K). Below is a summary of U.S. monthly prices for the most popular tiers (Standard and Premium) over time. Year Date Standard Plan Premium Plan Notes 2010 Launch (streaming-only) $7.99 N/A Basic streaming plan introduced. 2011 Feb $7.99 N/A No change. 2014 May $8.99 N/A First major streaming hike. 2015 N/A $9.99 $11.99 Introduction of HD tier. 2017 Oct $10.99 $13.99 Subtle rollout. 2019 Jan $12.99 $15.99 Basic introduced at $8.99 (discontinued 2023). 2020 Oct $13.99 $17.99 Response to content costs. 2022 Jan $15.49 $19.99 Largest hike at the time. 2023 Oct N/A N/A Ads tier launched at $6.99. 2024 Jan $15.49 $22.99 Basic discontinued. 2025 Jan $18.00 $25.00 All plans increased; ads tier to $8.00. Prices are monthly in USD; annual options offer ~17% savings. Current as of October 2025. Note - $8 in 2010 is worth approximately $11.57 in October 2025 Disney+ Launched in 2019 at a competitive $6.99/month, Disney+ has seen nearly annual increases, often bundled with Hulu/ESPN+. It now has two main tiers: ad-supported Basic and ad-free Premium. Prices reflect U.S. monthly rates for standalone Premium (most common). Year Date Basic (Ads) Premium (Ad-Free) Notes 2019 Nov (Launch) N/A $6.99 Single ad-free tier. 2020 N/A N/A $6.99 No change. 2021 Jan N/A $7.99 First hike. 2022 Dec $7.99 $10.99 Ads tier introduced. 2023 Oct $7.99 $13.99 Bundle prices also rose. 2024 Oct $9.99 $15.99 Ads tier up $2. 2025 Oct $12.99 $17.99 All plans up $2–$3; annual Premium $169.99. Annual billing saves ~16% (e.g., Premium $139.99/year in 2024). Bundles start at $9.99/month with Hulu/ESPN+. Note - $7 in 2019 is worth approximately $9 in October 2025 dollars Hulu Hulu, launched in 2007, has fluctuated prices but stabilized post-Disney acquisition (2019). It offers ad-supported, ad-free, and Live TV tiers. Focus here on on-demand plans (most subscribed). Year Date Ad-Supported Ad-Free Notes 2007 Launch $9.99 N/A Early ad-free only. 2010 N/A $7.99 $7.99 Ads tier introduced. 2014 N/A $7.99 $11.99 Ad-free split. Sept 2015 2018 N/A $7.99 $15.99 Live TV at $39.99. 2019 Jan $5.99 $11.99 Promo drop to $5.99 ads. 2021 Oct $6.99 $12.99 $1 increase both. 2022 Oct $7.99 $14.99 $1 hike. 2023 Oct $7.99 $17.99 Ad-free up $3. 2024 N/A $9.99 $18.99 Further increases. 2025 Oct $11.99 $18.99 Ads up $2; bundles up $2–$7. Annual ad-supported: $79.99 (2023) to $119.99 (2025). Live TV starts at $82.99/month. Note - $10 in 2007 is worth approximately $15.19 in October 2025 dollars. Amazon Prime Video Prime Video is bundled with Amazon Prime (shipping/music perks), launched 2006. Standalone option added in 2016. Prices reflect full Prime membership (includes Video); standalone is $8.99/month ad-supported. Year Date Monthly Prime Annual Prime Notes 2005 Launch N/A $79 Video added later. 2007 N/A N/A $79 No change. 2011 N/A N/A $79 Video streaming begins. 2014 N/A N/A $99 First major hike. 2018 N/A $12.99 $119 Monthly option emphasized. 2022 Feb $14.99 $139 Post-pandemic increase. 2024 Jan $14.99 $139 Ads introduced; ad-free +$2.99. 2025 N/A $14.99 $139 No change; standalone $8.99. Prime Video alone: $8.99/month (ads) or $10.99 (ad-free). 200M+ Prime members globally. HBO Max (formerly Max (formerly HBO Max)) Launched 2020 as HBO Max ($14.99 ad-free), rebranded Max in 2023. Frequent hikes focus on premium content. Tiers: Basic (ads), Standard (ad-free, 1080p), Premium (4K). Year Date Basic (Ads) Standard (Ad-Free) Premium (4K Ad-Free) Notes 2020 May (Launch) N/A N/A $14.99 Single ad-free tier. 2021 Jun $9.99 N/A $14.99 Ads tier added. 2023 Jan $9.99 $15.99 $19.99 First hike post-rebrand. 2024 Jun $9.99 $16.99 $20.99 $1 increases. 2025 Oct $10.99 $18.49 $22.99 $1–$2 hikes; annual Premium $229.99. Annual saves ~17% (e.g., Premium $199.99 in 2024). Bundles with Disney+/Hulu at $16.99/month. Note - $15 in 2020 is worth $18.72 in 2025 dollars Paramount+ Evolved from CBS All Access (2014). Rebranded 2021 with tiers: Essential (ads) and Premium (ad-free + Showtime). Sports/live TV drive hikes. Year Date Essential (Ads) Premium (Ad-Free + Showtime) Notes 2014 Oct (CBS All Access) $5.99 $9.99 Launch. 2017 N/A $5.99 $9.99 No major change. 2018 N/A $5.99 $9.99 Stable. 2021 Mar (Rebrand) $4.99 $9.99 Promo Essential. 2023 Aug $5.99 $11.99 $2 Premium hike. 2024 Jun $7.99 $12.99 Essential up $2 for new subs. 2025 N/A $7.99 $12.99 Annual Essential $59.99. Annual saves ~17–20%. Sports bundles (e.g., NFL) add value. Note - $10 in October 2014 is equivalent to approximately $12.65 in October 2025 dollars. Peacock NBCUniversal's Peacock launched in 2020 with a free tier (phased out 2023). Tiers: Premium (ads), Premium Plus (ad-free). Olympics/sports fuel rapid increases. Year Date Premium (Ads) Premium Plus (Ad-Free) Notes 2020 Apr (Launch) $4.99 $9.99 Free tier available. 2021 N/A $4.99 $9.99 No change. 2023 Jul $5.99 $11.99 First hike; free tier ends. 2024 Jul $7.99 $13.99 $2 increases. 2025 Jul $10.99 $16.99 $3 hikes; "Select" tier test at $7.99 (limited content). Annual Premium $109.99 (2025). Discounts for students/military (~$2–$5.99/month). Live sports (NFL/Olympics) key draw. Note - $10 in 2020 is worth $12.48 in today's dollars (October 2025)
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  • HDTV Rewind Episode #14: 5G Broadcast
    On this episode of the Rewind show we go back to October 21st 2023 where we read your emails, look at a news story or two, and discus 5G broadcast on how it can change how we interact with your media devices.  
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  • Podcast #1223: Lost TV Series Finales and Five Smart Home Trends
    On this week's show we look at some 1960s and 1970s TV shows that received their series finally in a movie at least ten years after going off the air. We also take a look at five home automation trends for this year and beyond. We also read your emails and take a look at the week's news. News: MTV is Shutting Down Its Last Music Channels, Marking the End of an Era Taylor Swift Eras Tour docuseries, concert film head to Disney+ Apple TV+ Is Getting Rid Of The Plus 47 Years Ago: Rescue from Gilligan's Island Makes TV History On October 14, 1978, television history was made with the premiere of Rescue from Gilligan's Island, the first-ever TV series adapted into a made-for-TV movie. Airing 47 years ago today, this film brought back the beloved cast of the iconic 1960s sitcom Gilligan's Island, reuniting fans with the stranded castaways for a nostalgic adventure. The movie picked up where the series left off, following the bumbling Gilligan and his fellow survivors as they finally escaped their tropical island—only to face new comedic challenges adjusting to modern life. Starring the original cast, including Bob Denver as Gilligan and Alan Hale Jr. as the Skipper, the film captured the charm and humor that made the show a cultural staple. This groundbreaking adaptation paved the way for future TV-to-movie transitions, proving that beloved series could find new life on the small screen. Rescue from Gilligan's Island remains a milestone in TV history, reminding us of the enduring appeal of these lovable castaways. Here are a few other series that got a series finale years after it's TV run ended: Star Trek (ended in 1969) - Star Trek: The Motion Picture (1979) – Relaunched the crew on a new mission, effectively serving as a big-screen continuation and soft finale to the original era's story. Get Smart (ended 1970) -  The Nude Bomb (1980) – Maxwell Smart returns for a solo mission against a mad bomber, providing a comedic capstone to his career. The Munsters (ended 1966) - Munsters' Revenge (1981 TV movie) – The family thwarts a crime ring, reuniting the original cast for a proper send-off. The Adams Family (ended 1966) - Halloween with the New Addams Family (1977 TV movie) – A reunion special where Gomez and Morticia host a haunted party, offering light-hearted closure. Five Smart Home Trends for 2025 and Beyond According to the National Association of Home Builders, two-thirds of consumers desire a connected home. Smart home technology is increasingly impacting property value while homes without such features may soon be worth less. At the annual CEDIA smart home technology expo in Denver, professionals like Kyle Steele, president of Global Wave Integration, and interior designer Toni Sabatino emphasized the importance of staying updated on smart home innovations. They both highlight insights from CEDIA and recent research, offering ideas for your smart home. Today we take a look at the five trends they see for 2025 and beyond. Increasing Seamless IntegrationFor the aesthetics committee, Smart home tech is evolving to blend invisibly into home aesthetics, with slimmer designs, refined finishes, and hidden features in shading, lighting, audio, and furnishings. This shift turns gadgets into design elements, like concealed speakers or artful LED walls, prioritizing user experience over visibility. But underneath it all, seamless integration will enable devices from various brands, such as lights, thermostats, cameras, and voice assistants, to work together as a unified system. This allows unified control via a single app or voice command, intuitive automation based on triggers and a smooth user experience with minimal setup, no delays, and reliable performance. New devices will integrate easily, and a robust network like Wi-Fi 6 supports the ecosystem, enabling complex routines regardless of device brands. Partnering ExpandsCollaborations between tech integrators and designers are growing to make solutions more accessible, especially for non-tech-savvy users like older homeowners. Designers act as bridges, explaining privacy-focused systems, while expos highlight products for storage, entertainment, and monitoring to enhance client value. Wellness TrendingHealth and wellness features are becoming mainstream, including circadian lighting, air/water purification, biophilic elements, and acoustic treatments. These systems promote energy-efficient, livable spaces aligned with natural rhythms, which may be a selling point for those focused on healthier home environments. Products such as smart scales, sleep analyzers, and blood pressure monitors will seamlessly integrate with home automation platforms enabling automations like adjusting room lighting based on sleep patterns detected by sleep sensors or dimming lights if weight trends indicate fatigue. Similarly,  on-demand ECG readings through their mobile app can connect to the automation system to send notifications to family members, doctors and in extreme cases to first responders creating a proactive smart home that responds to vital health data in real time. SecuritySecurity remains a top priority, driving demand for video doorbells, whole-house systems, and cybersecurity measures amid hacking risks. Industry reports project strong growth in global smart home security, urging professionals to educate homeowners on secure setups like strong passwords. Multi-TaskingProducts now multitask across needs like security, comfort, entertainment, and energy savings like smart shading for automated vacation modes or TVs that double as art displays like Samsung's The Frame. Emerging "smart surfaces," such as charging countertops, reflect this versatile, lifestyle-fitting approach.
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About HDTV and Home Theater Podcast

The HT Guys, Ara Derderian and Braden Russell, are Engineers who formerly worked for the Advanced Digital Systems Group (ADSG) of Sony Pictures Entertainment. ADSG was the R&D unit of the sound department producing products for movie theaters and movie studios. Two of the products they worked on include the DCP-1000 and DADR-5000. The DCP is a digital cinema processor used in movie theaters around the world. The DADR-5000 is a disk-based audio dubber used on Hollywood sound stages. ADSG was awarded a Technical Academy Award by the Academy of Motion Picture Arts and Sciences in 2000 for the development of the DADR-5000. Ara holds three patents for his development work in Digital Cinema and Digital Audio Recording. Every week they put together a podcast about High Definition TV and Home Theater. Each episode brings news from the A/V world, helpful product reviews and insights and help in demystifying and simplifying HDTV and home theater. Our email address is [email protected]
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