The Quartet Jazz Standards Podcast

• Episode 34. Dave Green (Bass) - 'Autumn Leaves'

  Geoff is in Ruislip, West London at the home of the legendary jazz bassist Dave Green.A soft case in an aircraft hold, a school-grade rental at a major festival, and the quiet conviction that your sound should survive all of it—Dave takes us through a bassist's life built on time, touch, and taste. From tea chest beginnings with next‑door neighbour Charlie Watts, to month-long residencies at Ronnie Scott's, Dave maps the long road from village halls to the world's jazz stages with humour and unflinching honesty.We dig into the craft: how to hold centre time with drummers who sit on the front of the beat, why Phil Seaman's volume still felt like joy, and what Trevor Tomkins taught about listening in real time. Dave shares why Jimmy Blanton and Scott LaFaro remain his north stars, how copying Israel Crosby on 78s shaped his phrasing, and the way a reliable room like PizzaExpress Jazz Club (Soho) lets the acoustic bass speak. There's a beautiful detour into instruments too: the 1860 Louis Lowendall that "wanted to be played" after years of rest, and the heavy Bohemian 7/8 that powered nights with Ben Webster, Coleman Hawkins, and Sonny Rollins.You'll hear road-level stories that humanise legends. A breakfast smile from Ron Carter, a stunned airport moment with Charlie Haden, a shy hello to Herbie Hancock at a tour party—and a cheeky reminder from Ron about leaving the stick bass behind. We also spin the 1940s standard ‘Autumn Leaves’ with the Quartet app and talk about the old ‘Ronnie’s' ecology where support bands learned by proximity, not paperwork.If you're a bassist, there's practical wisdom on adapting to rooms, instruments, and personalities without losing your voice. If you're a jazz fan, you'll get rare, warm snapshots of a scene that shaped modern British jazz from the inside out.Enjoyed the conversation? Subscribe, share with a friend who loves jazz!Presenter: Geoff GascoyneSeries Producer: Paul SissonsProduction Manager: Martin SissonsThe Quartet Jazz Standards Podcast is a UK Music Apps production. 

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• Episode 33. Anthony Kerr (Vibraphone) - 'Bolivia'

  Geoff is in the Hertfordshire town of Watford to chat with the wonderful British jazz vibraphone player Anthony Kerr…digging into practice, reading, and why space shapes sound.A trumpet felt like the wrong clothes. Drums were closer. Then Anthony hit a vibraphone at the Belfast School of Music and everything snapped into place. That moment of fit carries through this conversation as we trace his route from school band standards to New York's proving grounds and back to London's 606 Club with a vibraphone in the boot and the nerve to ask for a tune.Geoff digs into the practice habits that build real fluency: zooming in on one bar, singing transcribed lines before playing them, shifting phrases across the beat, and treating short, focused sessions like strength training. Anthony explains why Bach keeps improvisers honest and how mallet players juggle reading, vision, and physical balance on an instrument they don't actually touch. He also breaks down technique—four-mallet control, circular scale shapes, and why C major can be the most awkward key on vibes.Loop apps are useful, Anthony says, but Quartet changes the game by giving you a rhythm section that "hears" the actual tune, thanks to Graham Harvey's piano playing and intros that hint at elements of the melody. We put that to the test on Cedar Walton's 1970s standard ‘Bolivia’, exploring the modal first half and the change-heavy second, and why playing without piano can open space for shape, dynamics, and harmonic clarity. Stories from years with Georgie Fame reveal the power of collective instinct, the kind you only earn by working together night after night.If you love jazz standards, vibraphone technique, focused practice, and the craft of improvisation, this one's for you. Subscribe, share with a musician friend, and leave a review to help more listeners find the show. If you haven’t yet got the Quartet app…what are you waiting for?Presenter: Geoff GascoyneSeries Producer: Paul SissonsProduction Manager: Martin SissonsThe Quartet Jazz Standards Podcast is a UK Music Apps production.

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• Episode 32. Henry Lowther (Trumpet) - 'There Is No Greater Love'

  Geoff is in the North London suburb of Muswell Hill to sit down with the highly acclaimed trumpeter Henry Lowther as he unpacks the sessions, the stories and the systems behind a musician who has been a mainstay of the British jazz scene for over half a century.A trumpet on a cathedral step, a helicopter over Woodstock, and a fixer's phone call that changes your week—Henry Lowther has lived the kind of musical life that hides in liner notes and explodes on stage.Henry takes us inside London's studio culture: anonymous credits, bank holiday double rates, and the quiet politics of producers who double-track without paying extra. He remembers AIR Studios with Paul McCartney under George Martin's eye, the bass that made a horn section sound out, and the moment "fresh ears" became a punchline. Then the camera pans back to his origins: a violinist at the Royal Academy, captured by Indian classical logic, drawn to Sonny Rollins' trio lines, and pulled home to trumpet by Miles Davis and Clifford Brown.His learning method is stubbornly musical—ears first, theory second—and it shows when he improvises the 1930s Isham Jones/Marty Symes standard ‘There Is No Greater Love’ (alongside the Quartet app of course), explaining why one-scale-per-chord falls short and why thinking in keys keeps lines alive.We trace the ‘free’ music thread with Jack Bruce and John Hiseman, the influence of late Coltrane, and the British habit of crossing scenes instead of forming cliques. Henry reflects on the academic wave that raised standards yet risks flattening voices, and he celebrates players who sound like themselves in just two bars. Harmony talk gets vivid: Miles' long arcs versus Coltrane's saturated chords, Monk's push to play every note, and Kenny Wheeler's blend of slash chords, pedal points, and classical rigour. There are snapshots you'll remember—helicopters into Woodstock, trumpets blooming in Canterbury Cathedral, a sleepless ECM session, and Gil Evans on a London Underground platform clutching handwritten parts, chaos wrapped in kindness.If you care about jazz history, improvisation craft, and the human side of a life in music, you'll find wisdom and warmth here. Subscribe, share with a musician who needs the push, and leave a review telling us the story or chord that stayed with you.Presenter: Geoff GascoyneSeries Producer: Paul SissonsProduction Manager: Martin SissonsThe Quartet Jazz Standards Podcast is a UK Music Apps production. 

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• Episode 31. Art Themen (Saxophone) - 'It Could Happen To You'

  Geoff is in the picturesque Oxfordshire town of Henley on Thames to meet with the wonderful saxophonist (and former orthopaedic surgeon) Art Themen. What began with a misassembled clarinet and a missing page turned into a life split between the operating theatre and the bandstand, shaped by New Orleans tone, bebop language, and the stubborn joy of playing for real people in real rooms. We trace the arc from tin whistles and trad bands to hearing Louis Armstrong's All‑Stars in Manchester, discovering Lionel Grigson's bebop road map at Cambridge University, and stepping into the London jazz scene alongside Alexis Korner, Phil Seamen, and a young Rod Stewart in the wings.We get personal about balance: pulling late‑night gigs through medical school, covering colleagues to tour with Stan Tracey across South America, and learning why calm under lights and calm under surgical lamps feel oddly similar. There's a love letter to Dexter Gordon's ‘Go!’ as the perfect straight‑ahead blueprint, a warm nod to Sonny Rollins' generosity, and a candid take on what non‑musicians really hear at a jazz gig: timbre, breath, humour, and the shared attention that turns solos into stories.We also open the case on a legend - Ronnie Scott's Selmer Super Balanced Action - how it left the glass cabinet, the rumoured Hank Mobley link, and why a horn with history should still see the stage. We are treated to an impromptu rendition of the Burke/Van Heusen 40s standard ‘It Could Happen To You’ accompanied by the Quartet app (of course!)Along the way, we talk practice that actually happens: play‑along tools that focus the mind after long days, picking tunes at random to break ruts, and letting new repertoire force fresh lines. We weigh tradition against free improvisation, revisit career highs from Chicago to Hyde Park, and keep it human with quickfire favourites (Coronation Chicken, The Producers, the Bull's Head, Nice…). The thread running through it all is generosity - toward the audience, the band, and the music itself - anchored by the belief that swing and a good joke can live in the same bar.If you enjoy honest stories, live playing, and craft without pretence, hit follow, share this with a friend who loves Dexter or Rollins, and leave a short review telling us your favourite jazz album and why. Your notes shape the next set.Presenter: Geoff GascoyneSeries Producer: Paul SissonsProduction Manager: Martin SissonsThe Quartet Jazz Standards Podcast is a UK Music Apps production. 

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• Episode 30. Chris Ingham (Piano) - 'Very Early'

  This week Geoff is in Suffolk to catch up with the fabulous jazz pianist, singer, composer and author Chris Ingham.Sitting at Chris’s piano in Suffolk, we trace how a kid who refused lessons became a singer-pianist, bandleader and repertoire obsessive who builds shows people actually want to hear. Chris takes us from The Beatles and Sinatra to Hoagy Carmichael and Dudley Moore, revealing why “themes” hook audiences, why standards are the best teachers, and how self-discipline sticks only when it's born from love rather than orders.We get granular on practice that works in real life. Chris breaks down his tiers of using a playalong app: fast, fluent warm-ups on familiar tunes; awkward-key transpositions to stretch the hands and the ear, and ultra-slow when a tune like ‘Falling Grace’ has to be learned from scratch.Then he opens up Bill Evans' ‘Very Early’ with a clear map: track tonal centres, hear the cadences, respect the sudden "brick wall" modulation, and let thirds and sevenths light the way. Comping becomes a story, not filler. His improvisation on this 1960’s standard (accompanied by the Quartet jazz play along app) provides a wonderful demonstration.Between craft insights come the human beats that shape taste. Dave Frishberg's ‘Songbook’ shifted his compass. Sondheim still makes him tear up. He's honest about his reading abilities as a past weakness, the kind of nerves that only show up when preparation hasn't, and the chord colours he loves—sus 13 with the added third and those rich C minor 11/13 sonorities that hang in the air.If you care about standards, tonal centres, and making audiences lean forward, this conversation brings both method and heart.Enjoyed the conversation? Follow, share with a friend who loves jazz standards, and leave a quick review. Thank you.Presenter: Geoff GascoyneSeries Producer: Paul SissonsProduction Manager: Martin SissonsThe Quartet Jazz Standards Podcast is a UK Music Apps production.

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