Geoff is in the leafy North London suburb of Muswell Hill to meet the wonderful Gabriella Swallow – one of the most versatile and exciting cellists of her generation.When Gabriella declares "I just want the biggest one" as her instrument selection as a child, it perfectly captures her fearless approach to musical exploration. Born in Belfast during “The Troubles” to dentist parents who loved music, Gabriella's journey from classical prodigy to genre-crossing improviser reveals a musician who refuses to be confined by tradition.The conversation takes you through her formative years at Chetham’s School of Music, where she befriended future jazz innovators like Gwilym Simcock before continuing her classical training at the Royal College of Music. All while secretly jamming with indie bands and taking her first steps into session work. Her candid reflections on these early experiences highlight the delicate art of working across musical divides - learning to respect musicians who couldn't read music but possessed extraordinary creative gifts.The heart of this episode centres on Gabriella's transformative experience touring with jazz keyboard virtuoso Hiromi. After being bluntly told her timing wasn't good enough, she embraced what she calls "funk school," spending hours daily with Hiromi and a drum machine developing walking bass technique and time feel - skills rarely taught to classical cellists. "To learn those skills post-40 years old was the biggest present she could have given me," Gabriella reflects, demonstrating how embracing vulnerability led to musical growth.Throughout the conversation with Geoff, Gabriella reveals how music became her sanctuary during life's challenges, from her boarding school experience to balancing motherhood with her career. "Playing made me a better mother and motherhood made me a better musician," she notes, showing how these seemingly competing identities actually strengthened each other.Listen as Gabriella performs an impromptu improvisation on Charlie Chaplin’s 1930s standard 'Smile', demonstrating her lyrical approach to jazz standards while discussing the technical challenges of adapting classical technique to new contexts. Her story will inspire anyone seeking to cross musical boundaries and find their authentic voice, regardless of their training or background.Presenter: Geoff GascoyneSeries Producer: Paul SissonsProduction Manager: Martin SissonsThe Quartet Jazz Standards Podcast is a UK Music Apps production.
--------
53:54
Episode 6. Mark Armstrong (Trumpet) - 'Cherokee'
Geoff is in Blackheath in South London to meet the greatly respected trumpet player, composer, arranger and educator Mark Armstrong. Mark opens up about the electrifying moment jazz first captivated him as a schoolboy—a "kinesthetic experience" of colours and sounds that sparked a lifelong pursuit. Now an accomplished trumpet player with Ronnie Scott's big band, Jazz Professor at the Royal College of Music and former musical director of the National Youth Jazz Orchestra, Mark brilliantly articulates how jazz education parallels language acquisition. For those not born into jazz communities, he suggests learning the music requires understanding its grammar while developing an authentic accent—placing rhythmic feel at the foundation before tackling harmony. His thoughtful breakdown of "the butter notes" (what Miles Davis called his chord extensions) and sophisticated rhythmic groupings demonstrates why he's become such a respected educator. The conversation reveals Mark’s analytical yet deeply expressive approach to improvisation. He masterfully explains how certain beats create more tension than others, how abrupt directional changes within melodic lines create "internal syncopation," and why the silence after notes matters as much as the notes themselves. When demonstrating on Ray Noble’s 1930’s jazz standard "Cherokee," his playing embodies these concepts with fluid, bebop-influenced lines that showcase his meticulous understanding of harmonic and rhythmic interplay. Mark’s vulnerability about his own challenges—particularly leaving enough space and maintaining the right mental state during performance—offers reassurance to developing musicians. His reflections on career highlights, including working with British jazz legend Stan Tracey, and his passion for science fiction literature reveal an intellectually curious musician who values emotional authenticity.Whether you're a trumpet player, jazz educator, or curious listener, Mark Armstrong's insights will transform how you hear and approach jazz improvisation. Try the Quartet App he recommends for your own practice journey! (shameless plug)Presenter: Geoff GascoyneSeries Producer: Paul SissonsProduction Manager: Martin SissonsThe Quartet Jazz Standards Podcast is a UK Music Apps production.
--------
46:56
Episode 5. Phil Merriman (Piano) - 'Everybody's Song But My Own'
Geoff travels to Wallington in South London to meet the incredibly talented jazz pianist, composer and arranger Phil Merriman.Phil isn't your typical jazz pianist. You immediately sense you're with a musician who refuses to be confined by traditional genre boundaries. "For me, it's not about two camps at all," he explains, discussing the artificial division between classical and jazz. "I even struggle saying I'm a jazz piano teacher. I think I just teach the piano."This refreshingly integrated approach to music stems partly from Phil's formative years studying with the legendary John Taylor, whose influence permeates Phil's playing and teaching philosophy. He recalls Taylor's unique teaching style with reverence: "Very warm and very welcoming nature which, even before you've begun the music, says so much." Unlike conventional jazz instruction that might focus on licks and patterns, Taylor created an environment of exploration where Phil learned as much from Taylor's touch and tone as from the notes themselves.Phil's technical approach reflects this boundary-crossing sensibility. While many jazz pianists focus primarily on right-hand melodies with left-hand comping, Phil has made it his mission to develop equal strength in both hands. The result is a captivating dialogue between left and right that creates a truly pianistic approach to improvisation. When he demonstrates Kenny Wheeler's ‘Everybody's Song But My Own’ this balanced technique shines through - melodic lines flow seamlessly between hands, creating conversations within a single player.For aspiring composers, Phil offers practical wisdom about the creative process. Rather than waiting for inspiration from sunsets or profound experiences, he designates specific time for composition - Thursdays from 9 to 3 - emphasising that writing music requires discipline and regular practice.Whether you're a pianist looking to develop a more integrated approach to the instrument, a composer seeking practical wisdom, or simply a lover of thoughtful music-making, Phil Merriman's perspectives will transform how you think about artistic boundaries and creative process. Listen now to expand your musical horizons.Presenter: Geoff GascoyneSeries Producer: Paul SissonsProduction Manager: Martin SissonsThe Quartet Jazz Standards Podcast is a UK Music Apps production.
--------
46:12
Trailer - The Quartet Jazz Standards Podcast
Step into the vibrant world of jazz through intimate conversations with the artists who live it every day. The Quartet Jazz Standards Podcast, hosted by renowned bassist, composer and producer Geoff Gascoyne, strips away the mystique surrounding jazz musicians to reveal the human stories behind the solos.Each week, we sit down with both legendary artists and rising stars from the jazz world, exploring their musical journeys in ways both profound and playfully candid. Vocalist Emma Smith shares practice techniques you can use on your morning commute, while veteran saxophonist Alan Barnes breaks down Clifford Brown's iconic solos with the wisdom that only decades on the bandstand can provide. Guitarist Chris Standring reveals how a single lesson with Pat Martino transformed his relationship with music after 34 years of playing professionally, while young talent Freddie Benedict surprises us with his political impressions alongside serious harmonic insights.What makes our podcast unique is the perfect balance between technical jazz discussion and entertaining storytelling. You'll gain genuine insights into improvisation techniques and harmonic approaches while enjoying plenty of laughs along the way. These musicians don't just share their musical expertise - they open up about the realities of hustling for gigs, life on the road, and the moments of connection that make a jazz career worthwhile despite its challenges.Whether you're a dedicated musician seeking to expand your improvisational toolkit or simply someone who appreciates authentic conversations with creative minds, you'll find something valuable in these weekly episodes. Download the first four episodes now, and don't forget to check out the Quartet app for iOS to take your jazz play-along experience to another level.Subscribe now to never miss an episode!Presenter: Geoff GascoyneSeries Producer: Paul SissonsProduction Manager: Martin SissonsThe Quartet Jazz Standards Podcast is a UK Music Apps production.
--------
5:01
Episode 1. Emma Smith (Vocals) - ‘No Moon At All’
Geoff tracks down the wonderful jazz singer Emma Smith just a few weeks after she lands a major record deal. She opens up about her remarkable journey from rebelling against her jazz musician parents to becoming one of the UK’s most captivating jazz performers. They discuss everything from improvisation technique to social media and the challenges of making it Stateside. Emma’s approach to vocal improvisation reflects her deeply thoughtful musicianship. Unlike instrumentalists who can press keys to produce specific notes, vocalists must develop an internal understanding of harmony. "I have to feel it, I have to become familiar with what a flat 13 feels like," she explains, detailing how she personifies musical modes as characters with distinct personalities. In a brilliant demonstration of her improvisation methods, Emma treats us to a world first: an impromptu rendition of her TV wall bracket instruction manual to the Evans/Mann jazz standard ‘No Moon At All’. From transcribing trumpet solos to her adventures with the Quartet app, Smith's musical journey reveals an artist committed to growth while remaining authentically herself. Her parting advice resonates with wisdom earned through experience: "Be in the driver's seat of your improvising, of your conviction, of your melodic development, of your storytelling”.Subscribe now to catch more conversations with today's most exciting jazz artists. Presenter: Geoff GascoyneSeries Producer: Paul SissonsProduction Manager: Martin SissonsThe Quartet Jazz Standards Podcast is a UK Music Apps production.
Geoff Gascoyne chats to big-name (and upcoming) jazz soloists as they pick and play their favourite jazz standards and talk about their jazz lives. A mix of candid discussion, technical insights and spontaneous improvisation, this weekly podcast is a must-listen for everyone that loves jazz. Geoff is a renowned jazz bass player and prolific composer and producer with credits on over 100 albums and a book of contacts to die for! He is also executive producer of the best-selling Quartet jazz standards play-along app series for iOS.
UK