Essential Guide to Writing a Novel

Do we have the skill to write a novel or short story?  Here are early clues that may let us  know.  Also, top writers' ten best rules of writing.  And J.R.R. Tolkien's techniques for writing fascinating settings.Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more.  Each episode is focused and about 30 minutes.  The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars.  If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.Support the showBuy the master class.

Sometimes in our story we'll have a scene filled with people where everyone is moving all at once, such as a battle scene or mob scene or festival scene or street scene.  Here are techniques on crafting the scene so there's no confusion so readers can focus on the hero.  Also, what is the rule of exceptions?  And, can something bad happening to us make us better writers? Support the showBuy the master class.

Readers love dialogue, the chance to eavesdrop on the characters.  Here is a good way to make that dialogue really worth listening to.  Also, here are techniques that can tie our scenes together, which Jack Bickham calls transitions and sequels.  In a story, what is a transition and what is a sequel?Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more.  Each episode is focused and about 30 minutes.  The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars.  If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.Support the showBuy the master class.

How can we make our character memorable for the reader?  How can we make the character leap off the page and stay in the reader's memory?  Here's how Sherwood Anderson did it.  And here are also character descriptions from another master, William Faulkner, showing us how to create big and bold characters.Support the showBuy the master class.

Readers want a character who can grow and change over the course of the story. Here is a discussion of the character arc: how we can use the arc to develop our character and the plot, giving the reader the big reward at the end of the story of a character who has met the moment with change.  Plus, here is how we can show (rather than tell) about a character's thoughts such as confusion and dread.Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more.  Each episode is focused and about 30 minutes.  The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars.  If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.Support the showBuy the master class.