The Old Front Line

Step into one of the most chaotic and little-known battles of the First World War in 1916 with this episode of The Old Front Line, as we explore the Battle of the St Eloi Craters (March–April 1916).
Fought in the shattered landscape south of Ypres, this battle saw the devastating use of underground mines transform the battlefield into a nightmarish maze of mud-filled craters. We examine how British tunnelling companies detonated massive charges beneath German lines, and how the newly arrived Canadian Corps struggled to hold and understand the ground they had inherited.
At the heart of this episode are powerful first-hand accounts. We hear the experiences of Donald Fraser, whose vivid testimony captures the confusion and brutality of crater fighting, and Harold McGill, medical officer with the 31st Battalion, who provides a harrowing insight into the challenges of treating the wounded in such extreme conditions.
Main Image: Actions of St. Eloi Craters. Troops of the Northumberland Fusiliers, 3rd Division, wearing German helmets and gas masks captured at St. Eloi, 27th March 1916. Image taken by Ernest Brooks (IWM Q494)
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Step back from the battlefield and into the questions that bring the Great War to life in this special Q&A episode. Drawing on years of battlefield exploration and historical research, we tackle four fascinating listener questions centred on the Battle of the Somme and beyond.
We begin on the heights above the battlefield, exploring the idea of Bouzincourt Ridge as a “grandstand view” on 1 July 1916. What could be seen at 7:30am as the attack began? While no direct veteran testimony from that exact vantage point survives, we examine contemporary accounts, artillery observation points, and how the opening moments of the Somme were witnessed from the rear areas.
From there, we address a powerful and sobering question about the dead of the Somme. With so many soldiers listed as unidentifiied, how were remains recovered, identified, and buried? Could parts of the same individual have ended up in different graves, and how did organisations like the Imperial War Graves Commission ensure accuracy and dignity in commemoration?
Next, we break down the sheer scale of the Somme fighting. Was it a continuous daily offensive, or a series of smaller battles? We explain how the campaign unfolded between July and November 1916, highlighting key phases such as the Battle of Bazentin Ridge and the Battle of Flers-Courcelette to give clarity to one of history’s most complex battles.
Finally, we turn to literature, examining Birdsong by Sebastian Faulks. How accurate is its depiction of trench life and tunnelling warfare? We compare fiction with historical reality, exploring where the novel captures the truth, and where it takes creative licence.
Main Image: Bouzincourt Ridge Cemetery during the Centenary in 2018 (Old Front Line Archives)
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With a special edition for ANZAC Day, in this insightful interview, playwright Arthur Meek discusses his project to bring to life the voices of Gallipoli veterans through oral histories and verbatim theatre. The conversation explores the power of personal stories, memory, remembrance, and the impact of war on individuals and collective memory.
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Website where folks can keep up to date about the project
www.vog.care
www.facebook.com/voicesofgallipoli
Main Image: The Otago Regiment landing at Gallipoli 1915.
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In this in-depth Questions & Answers episode of The Old Front Line, we tackle four fascinating listener questions exploring the aftermath and realities of the First World War.
We begin in the Ypres Salient, examining how the Commonwealth War Graves Commission replaced thousands of temporary wooden crosses with the iconic headstones we see today. How was this monumental task organised? How many stonemasons were involved, and how long did the process take?
Next, we explore the often misunderstood concept of “machine gun barrages” during trench warfare. How did these indirect fire weapons work, and how effective were they on the battlefield? We also look at examples of the barrages and developing use of machine-guns on the battlefield. 
We then move behind the lines to investigate burial practices at Casualty Clearing Stations and Field Hospitals. With thousands buried in short periods, what environmental and public health challenges arose, and did these cemeteries pose risks to local populations after the war?
Finally, we examine the complex issue of land ownership after 1918. Across former battlefields in France and Belgium, how were destroyed landscapes surveyed, boundaries restored, and compensation provided to those who had lost everything?
More on the Vickers Gun: Vickers Machine Gun Collection & Research Association.
Main Image: A Vickers machine gun team from the Machine Gun Corps (MGC) wearing PH Type anti-gas helmets in action near Ovillers during the Battle of the Somme, July 1916. (IWM Q3995)
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In this special episode with Professor Mark Connelly we explore the profound connection between landscape, memory, and national identity during the Great War, focusing on the significance of chalk landscapes in Britain and their influence on cultural memory and battlefield symbolism.
We dive into how the beautiful, chalky terrains of England shaped the identity of soldiers during the Great War. Many of them carried an intimate knowledge of these landscapes, a connection forged through literature and culture. When they found themselves on the battlefields of France, the familiar terrain sparked powerful memories and emotions, making the destruction all the more poignant.
This narrative goes beyond military history; it’s about identity, memory, and how we connect with the land we call home. The chalk downlands were not just a backdrop but a symbol of what they were fighting for, and losing.
And we ask, what does this mean for how we remember the war today?
Professor Mark Connelly's Tours: Mark Connelly - Connelly Contours
The book mentioned was 'England in France' by Charles Vince, illustrations by Sydney R. Jones (London 1919)
Main Image: A Grave and a Mine Crater at La Boisselle, August 1917 by William Orpen (IWMART2378) 
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