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Keen On America

Andrew Keen
Keen On America
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  • Hollywood's Last Dance: Time Warner and the Death of the American Dream Machine
    So what does the latest Time Warner brouhaha tell us about the state of America? According to Daniel Bessner, host of the American Prestige podcast, it reflects the imminent death of Hollywood itself. Having written a recent Harper’s cover story about “The Life and Death of Hollywood”, Bessner is no stranger to the existential struggle of America’s dream machine. And for Bessner, the latest Netflix-Paramount drama is just one proof point not just of Hollywood’s last dance, but also the imminent crisis of American capitalism. It’s the canary in the coal mine, he argues, about the future of every industry. His apocalyptic take would, of course, make a great movie. The only problem is that Hollywood won’t be around to make it. Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
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  • Big Brother Down Under: Is it 1984 Already in Australia?
    It’s been quite a week in tech. The Australian social media ban, the Netflix vs Paramount fight over Warner Bros & the Disney-OpenAI deal. That Was The Week’s Keith Teare and I try to explain all this in the broader context of the future of media in 2026 and beyond. Has Australia really gone Orwellian in its teen social media ban, who should own Warner and will movie theaters & serious journalism have a future in the AI age? Our answers aren’t always what you’d expect. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
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  • Mount Rushmore: America's Most Monumental Contradiction
    Mount Rushmore, with its images of four Presidents carved into the Black Hills of South Dakota, is America’s most identifiable monument. It might also be its most monumental contradiction — which is saying a lot, given the country’s gaping contradictions. According to Matthew Davis, the mountain’s biographer, the history of the Rushmore project captures both the remarkable engineering achievements of early 20th-century America and the country’s bloody colonial and racist past. So Mount Rushmore, Davis suggests, is indeed as American as cherry pie. Only that pie and those cherries aren’t quite as sweet as the MAGA crowd might like to think. Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
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  • George Packer's Emergency: When Facts Fail, Turn to Fiction
    George Packer is one of the most celebrated non-fiction writers on contemporary America. So why, in his new book The Emergency, has he turned to fiction? You’d think, after all, that MAGA America’s surrealism would be an ideal nonfictional canvas for a writer with Packer’s observational gifts. But, as Packer explains, when facts fail a society, then - like Orwell or Atwood - a writer might be obliged to turn to fiction. This emergency, then, begot The Emergency. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
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  • How 9/11 Broke the News, Both Then and Now: CNN's Finest Hour Was Also Its Last
    The CNN anchor Carol Lin was on air on September 11, 2001 when the first plane hit the tower. So, in that now seemingly distant broadcast media age, she was the world’s first television journalist to break the news. But as Lin notes in her new memoir, When New Breaks, 9/11 broke traditional news media, both then and now. That morning was CNN’s finest hour — a network built for exactly this moment, with deep resources, high standards, and global reach. Yet it was also the beginning of the end - both for Lin’s career in journalism and for the mainstream television news industry. What followed was the rise of opinion panels, personality-driven shows, ubiquitous social media and the slow erosion of trust that leaves us asking: who do we believe anymore?Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
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About Keen On America

Nobody asks sharper or more impertinent questions than Andrew Keen. In KEEN ON, Andrew cross-examines the world’s smartest people on politics, economics, history, the environment, and tech. If you want to make sense of our complex world, check out the daily questions and the answers on KEEN ON. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best-known technology and politics broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running show How To Fix Democracy and the author of four critically acclaimed books about the future, including the international bestselling CULT OF THE AMATEUR. Keen On is free to listen to and will remain so. If you want to stay up-to-date on new episodes and support the show please subscribe to Andrew Keen’s Substack. Paid subscribers will soon be able to access exclusive content from our new series Keen On America. keenon.substack.com
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